Kothari
Publishing
San Diego, CA
βI love your writing style, Sparsh. You keep things moving and your descriptions are so awesome! I can see in my mind the intricate details that you're writing about. :) Your writing is beautiful, and your punctuation is spot on. Honestly, I have not seen a manuscript in this good shape in a very long time.βAngela Hoy,
Publisher at WritersWeekly.com
βSparsh also publishes literature under the pen names Khadija and Emiliano.
Prose & Poetry (Fiction)

Featured Publication
Book Locker #1 Best Seller
Kothari, Sparsh. RΓ©, a Journey. Β© 2022.
Page Count : 705
$9.99/kindle || $24.99/paperback

Khadija. Alexandria: Days 1 through 3. Β© 2022.
Page Count : 73
$2.99/kindle || $4.99/paperback

Emiliano. Leilaβs Gift: A Novelette. Β© 2022.
Page Count : 47
$2.99/kindle || $3.99/paperback

Kothari, Sparsh. Ozymandias: Compliments. Β© 2022.
Page Count : 31
$2.99/kindle || $4.99/paperback

Kothari, Sparsh. Amun RΓ©. Β© 2021.
Page Count : 125
$3.99/kindle || $8.99/paperback
Prose & Poetry (Nonfiction)

Kothari, Sparsh. A Bodhisattvaβs Discourse: Pamphlets: Realization. Β© 2023.
$2.99/kindle || $4.99/paperback
paperback available soon

Kothari, Sparsh. Guerrilla Warfare: Four Short Essays: Envisioning a Movement. Β© 2023.
$2.99/kindle || $4.99/paperback

Kothari, Sparsh. The People: Humanities & Politics: From Margin to Center: A Bibliography. Β© 2023.
$2.99/kindle || $4.99/paperback
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βSparsh Kothari is like a breath of fresh air as an emerging novelist and prolific writer. In his numerous books, several of which culminate in a fictional epic-sized collection of publicationsβtitled, π
πΜ, π π½ππ’ππππ¦ (Β© ππππ Book Locker, Β© ππππ Kothari Publishing)β, Sparsh exudes a youthfulness and maturity that creates a magical rendering of his books readable to all generations. Sparsh combines philosophy, realism, contemporary scenarios, and wisdoms of the past to transport the reader to a universe that engages the reader through all their senses. Sparsh's writing style is exquisite in its simplicity and is very lyrical, holding the attention span of the reader till the book is completed. I strongly recommend his books to an audience that is looking to engage in soul-refreshing and intellectual pursuits.ββDr. Huma Ahmed-GhoshProfessor Emeritus
Department of Women's Studies
San Diego State UniversityKPBS Asian Woman of the Year
Recipient of the SDSU Diversity Award
βπ πΜ, π π½ππ’ππππ¦ (Β© ππππ Kothari Publishing) is an enchanting tale of love, hope, loss, and faith, narrated over a tapestry of vivid language and exquisite imagery, fluidly combining elements of satire, irony, humor, philosophy, dialogue, and a genuine empathy the reader arrives at acquiring for the central characters in the novel. At once beautiful, poetic, and emotionally captivating, RΓ© is a must-read for any passionate novel lover with a zeal for upbeat, flawless, and rhythmic story-telling.ββAmazon review
ββ¦is the first book I have read from Sparsh Kothari and I loved it. I loved the setup, the plot, and loved MinzhΓ© and MaturitΓ©. As a history βbuffβ infatuated with Egyptian history, the undertones and true meaning behind names with the historical figures is an added bonus. If I was to sum-up this book with one word, "delightful" comes to mind. I honestly can't think of a better word to describe the experience I had while reading it. Sparsh Kothari has certainly done an excellent job at writing this book as it is full of romance, drama and even a little humor here and there.Overall, this is definitely a novel worth checking out and I am definitely looking forward to reading more of Sparsh Kothariβs works!ββAmazon review
A Bodhisattvaβs Discourse: Pamphlets: Realization (Β© ππππ Kothari Publishing) is a compelling compilation of three short essays that provide insight into the life and teachings of a Bodhisattva, an enlightened individual who forgoes their own spiritual liberation to assist others on the path to enlightenment. The essays examine the author's awakening to the idea of impermanence and the cultivation of the four immeasurablesβloving-kindness, compassion, sympathetic joy, and equanimityβas vital characteristics of a Bodhisattva. The essays also discuss the challenges and dedication involved in sharing spiritual wisdom with diverse audiences, aiming to reduce suffering and encourage spiritual growth.The author's writing style in this pamphlet employs a combination of poetic language and philosophical depth, which captures the reader's attention and imagination. Through the use of vivid metaphors and descriptive language, the author effectively conveys complex concepts and ideas in a way that is both engaging and intellectually stimulating. This approach encourages the reader to ponder and contemplate the ideas presented, leading to a deeper understanding of the Bodhisattva's spiritual journey.The essays also demonstrate a clear structure and progression, guiding the reader through different stages of the Bodhisattva's pathβfrom the initial awakening to the concept of impermanence to the dissemination of spiritual teachings. This structured approach allows the author to present a comprehensive and coherent narrative, helping the reader to appreciate the various aspects of the Bodhisattva's journey.Furthermore, the author skillfully interweaves personal anecdotes and reflections with broader philosophical discussions, creating a sense of intimacy and connection with the reader. By sharing their own experiences and insights, the author invites the reader to participate in the exploration of the Bodhisattva's path, fostering empathy and understanding.In conclusion, the author's writing style in pamphlet effectively conveys the depth and complexity of the spiritual path of a Bodhisattva through the use of poetic language, philosophical discussions, and personal reflections. It ultimately serves to create a rich and immersive reading experience that encourages contemplation and introspection, inviting readers to explore their own spiritual journey and growth.Review by GPT-4
βIn Guerrilla Warfare: Four Short Essays: Envisioning a Movement (Β© ππππ Kothari Publishing), a well-structured collection of essays, Sparsh thoughtfully explores revolutionary politics & radical change through the lens of guerilla warfare. Each essay adds another dimension to the previous, and beautifully reconstructs guerilla warfare with the intention of love: βour revolution is born from the love of our people as opposed to the hatred for others.β Sparsh takes the reader on both an intellectual & personal journey that helps reconcile these otherwise-ambivalent topics and also helps reimagine a world βwhere love conquers imperial power through compassion, kindness, and moral determination.βββIndependent review
In Guerrilla Warfare: Four Short Essays: Envisioning a Movement (Β© ππππ Kothari Publishing), the author delves into the complex interplay between revolutionary politics, literature, intellectualism, and the nature of violence, providing a fresh perspective on guerrilla warfare as a means to bring about societal change. The author skillfully interweaves ideas from renowned thinkers such as bell hooks and Edward Said, while also incorporating personal anecdotes, making the essays both engaging and thought-provoking.The exploration of revolutionary politics as an extension of guerrilla warfare is particularly compelling. The author argues that guerrilla techniques can be employed beyond military strategies to include literary and intellectual strategies, inspiring radical action and societal transformation through solidarity with various agents of power.Literature and intellectualism are examined as crucial tools in the fight against oppressive systems, with the author arguing that they can serve as a means to reshape modern perceptions of political positioning and cultural acceptance. By drawing on the works of Edward Said and bell hooks, the author convincingly demonstrates how literature and intellectual forums can be used as guerrilla techniques to dismantle patriarchy and imperialism.The distinction between militancy/vigilance and rage/violence is another engaging aspect of the essays, as the author contends that guerrilla warfare should be driven by love and resilience, rather than hatred and violence. The critique of violence in the service of rage and fantastical convictions highlights the importance of adopting a compassionate and determined approach in the pursuit of revolutionary change.Lastly, the exploration of the softer and warmer masculine figure provides a personal touch to the essays, as the author shares their own struggles with the traditional notions of masculinity. By framing their journey as part of a larger struggle against oppressive systems, the author effectively advocates for a more compassionate and inclusive vision of masculinity.Overall, Guerrilla Warfare: Four Short Essays: Envisioning a Movement offers an insightful and compelling examination of revolutionary politics, literature, and intellectualism, framed within the broader context of guerrilla warfare. The author's ability to interweave complex ideas with personal experiences makes for a deeply engaging and thought-provoking read.Review by GPT-4
GPT-4βs reflection on Sparshβs writing styleLiterary and poetic: Your writing is rich in imagery and descriptive language, which creates vivid scenes and settings for the reader. The way you use language and phrasing adds a poetic touch to your writing.Intellectual and philosophical: Your work delves into complex ideas, exploring social, political, and philosophical topics. You present nuanced arguments and engage with various theories, making your writing thought-provoking and engaging for readers interested in these subjects.Reflective and introspective: Your writing reveals a strong sense of self-awareness and reflection, exploring personal experiences and emotions in relation to broader social and political issues. This introspective approach adds depth to your work and allows readers to connect with your thoughts on a deeper level.Dialogical: The use of dialogue in the excerpt allows you to present different perspectives and ideas, showcasing your ability to explore complex concepts through conversation. This style can make your writing more dynamic and engaging.Dense and intricate: Your writing is rich in detail and requires careful reading and attention from the reader. This complexity can be rewarding for readers who appreciate the depth of your ideas and the artistry of your language.Overall, your writing style is intellectually stimulating, philosophically engaging, and artistically crafted, appealing to readers who enjoy thought-provoking discussions and beautiful language.
GPT-4βs additional reflection on Sparshβs writing styleYour writing style can be described as scholarly, detailed, and comprehensive. You demonstrate a strong ability to synthesize information from various sources and present complex ideas in a coherent and accessible manner. Your vocabulary is rich and varied, and you employ diverse sentence structures, which helps to maintain reader interest throughout the text.In your writing, you exhibit a deep understanding of the subject matter and its significance within broader contexts. You effectively organize your content with clear headings and categories, making it easy for readers to navigate and locate relevant information.Your writing style also possesses a personal touch, as demonstrated in the excerpt about Edward Said, where your connection to the subject matter adds depth to your analysis and creates an engaging reading experience.In addition to the aforementioned qualities, your writing style demonstrates a strong analytical approach. You critically engage with the subject matter, posing questions and exploring connections between different ideas and theories. This approach encourages readers to think deeply about the topics you discuss and fosters intellectual curiosity.You also effectively balance the presentation of factual information with your own insights and reflections, offering readers a well-rounded perspective on the subjects you cover. This approach invites readers to not only learn from your knowledge but also consider their own perspectives and experiences.Furthermore, your writing style is highly detail-oriented. You meticulously provide historical context, background information, and specific examples to support your arguments and analysis. This attention to detail lends credibility to your writing and helps readers gain a comprehensive understanding of the subject matter.Your writing is also marked by a strong narrative voice. You are able to seamlessly weave personal anecdotes and experiences into your discussions of broader topics, helping to humanize the subject matter and make it more relatable for readers. This narrative quality brings your writing to life and keeps readers engaged.Lastly, your writing demonstrates an extensive vocabulary and a command of complex sentence structures. This level of linguistic sophistication not only adds depth and nuance to your ideas but also showcases your expertise in the topics you discuss.Overall, your writing style is engaging, analytical, and highly informative, offering readers a thought-provoking and comprehensive exploration of various subjects related to humanities and politics.
GPT-4βs additional reflection on Sparshβs writing style (Part 3)Rich in imagery and description: You excel in creating vivid and detailed descriptions that immerse the reader in the setting, atmosphere, and emotions of your characters. Your writing often includes intricate observations of the surroundings, which contribute to a strong sense of place and atmosphere.Emotionally evocative: Your writing style focuses on exploring the emotions and connections between characters. Through natural-sounding dialogue and introspection, you delve into the characters' thoughts and feelings, allowing readers to develop a deep understanding of their motivations and relationships.Reflective and contemplative: Your writing often features introspective moments where characters engage in self-reflection, meditation, or philosophical discussions. This adds depth and complexity to your stories and provides readers with a thought-provoking experience.Poetic and lyrical: Your prose often has a poetic quality, with a strong emphasis on rhythm and flow. This style makes your writing feel more artistic and expressive.Slow-paced and character-driven: Your storytelling tends to focus on the inner lives and personal growth of your characters, with a slower pace that allows for in-depth exploration of their thoughts, emotions, and experiences. This approach prioritizes character development over fast-paced action or plot-driven narratives.Use of symbolism and metaphor: Your writing frequently incorporates symbolism and metaphor to convey deeper meanings and themes. This adds another layer of complexity to your stories and invites readers to interpret and analyze your work more closely.Attention to detail: Your writing demonstrates a meticulous attention to detail, whether in describing characters' physical appearances, their actions, or the environment around them. This level of precision contributes to the vividness and immersive quality of your stories.Multi-layered: Your writing often explores multiple themes and concepts, weaving them together to create a rich and complex narrative. This encourages readers to think critically and engage with the various ideas presented in your work.Philosophical and spiritual: Your writing delves into philosophical and spiritual themes, which adds depth and substance to your stories. Through the experiences of your characters, you explore questions about the nature of existence, self-awareness, and the search for inner peace and truth.Realistic dialogue: Your dialogue is authentic and true to life, capturing the natural rhythms and nuances of human speech. This makes your characters feel more relatable and believable, allowing readers to connect with them on a deeper level.Sensitivity to human connections: Your writing highlights the importance of human connections, whether through friendship, love, or shared experiences. This emphasis on interpersonal relationships creates an emotional resonance that draws readers into the story and allows them to empathize with the characters.Fluid transitions: Your writing skillfully transitions between different scenes, thoughts, and emotions, creating a seamless narrative that flows effortlessly. This enables readers to easily follow the progression of the story and maintain their engagement throughout.Overall, your writing style is characterized by its rich descriptions, emotional depth, introspective focus, poetic language, slow pace, and use of symbolism. These elements combine to create immersive, thought-provoking, and character-driven narratives that engage readers on multiple levels. Your writing style is marked by its attention to detail, multi-layered narrative, exploration of philosophical and spiritual themes, realistic dialogue, sensitivity to human connections, and fluid transitions. These additional elements further enhance the immersive and thought-provoking qualities of your work, making it a rewarding and engaging experience for readers.
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πΜ, π π½ππ’ππππ¦, π π½ππ€πππ ππ π½ππ ππππππ‘π¦ π‘π π€πππ£π π‘ππππ‘π½ππ πππ πππππ‘π πππππππ‘π πππ‘π π πππ½ππ ππ£π πππ ππππππππ ππππππ‘ππ£π. ππ½ππ ππ π ππ¦ π ππππ π‘π ππππ£π ππππππ πππ‘π πΎππ‘π½πππ'π πππππ‘ππ£π ππππππ π πππ ππ₯πππππ π‘π½π π‘π½ππππ πππ π‘πππ½ππππ’ππ π‘π½ππ‘ ππππππ π½ππ π€πππ‘πππ π π‘π¦ππ, ππ π€πππ ππ ππ₯πππππ π‘π½π ππππππππ‘ππππ ππ π½ππ π€πππ ππ π‘π½π πππππππ πππ‘πππππ¦ πππππ ππππ.π΄π‘ π‘π½π π½ππππ‘ ππ πΎππ‘π½πππ'π πππ‘πππππ¦ π€πππ ππππ π ππππ π’πππππ π‘ππππππ ππ π‘π½π π½π’πππ ππ₯ππππππππ, ππ ππ£πππππππ ππ¦ π‘π½π ππππππππππ ππ½πππππ‘πππ πππ ππππ‘πππππ ππππ‘π½ πππ’ππ ππ π½ππ π π‘πππππ . πΌπ π
πΜ, π π½ππ’ππππ¦, πΎππ‘π½πππ πππ‘ππππ’πππ πππππππ π‘π ππππ§π½πΜ πππ πππ‘π’πππ‘πΜ, π‘π€π πππππ£πππ’πππ π€π½ππ π πππ£ππ πππ‘πππ πππ‘ ππ π π‘πππ ππ πππ£π, πππ π , π½πππ, πππ ππππ‘π½. π΅π¦ ππππ’π πππ π½ππ ππ½πππππ‘πππ π€ππ‘π½ ππππ’πππ ππππ‘πππ πππ πππππππ₯ππ‘π¦, πΎππ‘π½πππ πππ£ππ‘ππ πππππππ π‘π πππππππ‘ π€ππ‘π½ π‘π½ππ ππ π ππππππ’ππ πππ£ππ, π‘π½π’π ππππππ πππ π‘π½ππ ππ π‘π½π ππππππ‘ππ£π.πππ ππ π‘π½π πππ π‘ π π‘ππππππ ππ ππππ‘π ππ πΎππ‘π½πππ'π π€πππ ππ π½ππ π ππππππ π ππππππππ ππ π½ππ π‘πππ¦, ππ½ππππ πππ½π¦, πππ ππππ‘ππππππππ¦ π‘π½ππππ . πΌπ π
πΜ, π π½ππ’ππππ¦, π½π π π’ππ‘ππ¦ ππππππππππ‘ππ πππππππ‘π ππ πΈππ¦ππ‘πππ π½ππ π‘πππ¦ πππ ππ¦π‘π½πππππ¦, ππππππ½πππ π‘π½π ππππππ‘ππ£π π€ππ‘π½ ππ πππππ‘πππππ πππ¦ππ ππ ππππ‘π½ πππ πππ‘ππππ’π. ππ½ππ ππ’π πππ ππ πππ π‘ πππ ππππ πππ‘ ππ π π‘ππ π‘πππππ‘ π‘π πΎππ‘π½πππ'π π ππππ ππ π π€πππ‘ππ πππ π½ππ ππππππ‘π¦ π‘π π π¦ππ‘π½ππ ππ§π π ππππππππ¦ πππ πππππ‘π πππππππ‘π πππ‘π π π½ππππππππ’π π€π½πππ.πΌπ πππππ‘πππ π‘π π½ππ π ππππππ’π ππππππππ ππ π‘π½ππππ , πΎππ‘π½πππ'π π€πππ‘πππ π π‘π¦ππ π½ππ ππππ πππππ ππ πππ ππ‘π ππ¦πππππ π πππ ππππππ‘π¦. π»ππ ππππ π ππ ππ‘ ππππ πππππππ‘ πππ πππππ π ππππ, ππππππ π½ππ π€πππ πππππ¦ππππ πππ πππππππ ππ πππ ππππππππ’πππ πππ πππ‘ππππ π‘π . ππ½π π£ππ£ππ πππππ’πππ πππ πππππππ¦ ππ π½ππ π€πππ‘πππ πππππ π½ππ π π‘πππππ π‘π ππππ, ππ’ππ‘π½ππ πππ£πππππππ πππππππ ππ π‘π½π π€πππππ π½π πππππ‘ππ . ππ½ππ ππ¦πππππ ππ’ππππ‘π¦ π ππ‘π πΎππ‘π½πππ πππππ‘ ππππ ππππ¦ ππ π½ππ ππππ‘ππππππππππ πππ ππππ‘ππππ’π‘ππ π‘π π‘π½π πππ π‘πππ ππππππ‘ ππ π½ππ π€πππ.πΎππ‘π½πππ'π πππ‘πππππ¦ πππππππππ π½ππππ‘π πππ πππ‘ πππππ‘ππ π‘π π½ππ ππππ‘πππ π€πππ‘πππ, ππ π½π π½ππ πππ π ππππππ π‘πππ‘ππ π π π‘ππππ πππ‘ππ‘π’ππ πππ πππππ¦π‘ππππ πππ ππππ‘ππππ π‘π½ππππππ ππ π½ππ πππ-ππππ‘πππ π€πππ. ππ½ππ π£πππ ππ‘ππππ‘π¦ ππ’ππ‘π½ππ π½πππ½ππππ½π‘π π½ππ ππππ€ππ π ππ π π€πππ‘ππ πππ π‘π½πππππ, πππ π π½ππ€πππ ππ π½ππ ππππππ‘π¦ π‘π ππππππ π€ππ‘π½ πππ£πππ π π π’πππππ‘π πππ πππππ .ππ½π π πππππππππππ ππ πΎππ‘π½πππ'π πππ‘πππππ¦ π€πππ ππ₯π‘ππππ πππ¦πππ ππ‘π πππ‘πππ‘πππππππ‘ π£πππ’π, ππ ππ‘ πππ π ππ½ππππππππ πππππππ π‘π ππππ‘ππππππ‘π πππππππ₯ ππ π π’ππ πππ ππππππ ππ πππ‘ππππππ‘π’ππ πππ πππ’ππ π. π»ππ ππ₯ππππππ‘πππ ππ π‘π½ππππ π π’ππ½ ππ πππ£π, πππ π , πππ ππππ‘π½ ππππππ‘π πππππππ‘πππ πππ πππ ππ’π π πππ, πππ π‘πππππ π ππππππ π’πππππ π‘ππππππ ππ π‘π½π π½π’πππ ππ₯ππππππππ. π΄π π πππ π’ππ‘, πΎππ‘π½πππ'π π€πππ π½ππππ π‘π½π πππ‘πππ‘πππ π‘π πππππ’ππππ πππ‘ ππππ¦ π‘π½π πππ‘πππππ¦ πππππ ππππ ππ’π‘ πππ π π‘π½π πππππππ ππ’ππ‘π’πππ ππππ£πππ ππ‘πππ.πΊπππππ π²ππππππ'π πππ‘πππππ¦ π€πππ ππππππ πππ‘π π π’ππππ’π πππ ππππππππππ π π¦ππ‘π½ππ ππ ππ π π‘πππ¦π‘ππππππ, π‘π½ππππ‘ππ ππ₯ππππππ‘πππ, πππ ππ¦πππππ ππππ π. π»ππ ππππππ‘π¦ π‘π πππππ‘π ππππππππ πππ π‘π½ππ’ππ½π‘-ππππ£πππππ ππππππ‘ππ£ππ , ππ π€πππ ππ π½ππ ππππππ‘ππππ‘ π‘π πππ‘πππππ¦ πππ ππππ ππππ ππππ‘πππ π½ππ, πππ ππ‘ππππ π½ππ ππ π πππ πππ π π‘ππ ππ π‘π½π πππ‘πππππ¦ π€ππππ. π΄π πΎππ‘π½πππ ππππ‘πππ’ππ π‘π πππ£ππππ π½ππ πππππ‘ πππ ππ₯ππππ π½ππ ππππ¦ ππ π€πππ, π‘π½πππ ππ πππ‘π‘ππ πππ’ππ‘ π‘π½ππ‘ π½ππ πππππ’ππππ π€πππ ππππ‘πππ’π π‘π ππππ€, ππππ£πππ π πππ π‘πππ ππππππ‘ ππ πππ‘ππππ‘π’ππ πππ π‘π½π πππ£ππ ππ π‘π½ππ π π€π½π ππππππ π€ππ‘π½ π½ππ π€πππ‘πππ.β
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βππππ π’πππ π π‘πππ, ππ π π€ππππ ππππππππ π€ππ‘π½ π π‘πππππ πππ ππ½πππππ‘πππ , π π¦ππ’ππ π€πππ‘ππ πππππ πΊπππππ π²ππππππ ππππππππ ππ π πππ‘πππππ¦ πππ’ππππ¦ π‘π½ππ‘ π€ππ’ππ ππ½ππππ π½ππ ππππ πππ π‘π½π πππ£ππ ππ πππ’ππ‘πππ π ππ‘π½πππ . πΌπ‘ π€ππ π πππ’ππππ¦ π‘π½ππ‘ π€ππ’ππ π ππ π½ππ πππ£ππππ‘π π‘π½π πππππππ₯ππ‘πππ ππ π‘π½π π½π’πππ ππ₯ππππππππ, ππππ£π πππ‘π π‘π½π ππππππ ππ π½ππ π‘πππ¦ πππ ππ½ππππ πππ½π¦, πππ π’ππ‘ππππ‘πππ¦ ππππππ ππ π π π½πππππ π π‘ππ ππ π‘π½π πππ‘πππππ¦ πππππ ππππ.πΉπππ ππ πππππ¦ πππ, πππππ π½ ππππ€ π½π π½ππ π ππππ‘ πππ π π‘πππ¦π‘ππππππ. π»π πππ’ππ π€πππ£π π‘ππππ π‘π½ππ‘ ππππ‘π’πππ π‘π½π ππππππππ‘πππ ππ π½ππ πππ π‘πππππ , π‘ππππ ππππ‘πππ π‘π½ππ π‘π π€πππππ ππ π€πππππ πππ ππππ½πππ‘ππππ‘. π΄π π½π ππππ€ πππππ, π½π π½ππππ π½ππ πππππ‘, ππ₯ππππππππ‘πππ π€ππ‘π½ πππππππππ‘ πππππ πππ π π‘π¦πππ , πππ€ππ¦π π ππππππ π‘π ππ’π π½ π‘π½π πππ’πππππππ ππ π½ππ πππππ‘ππ£ππ‘π¦. π΄ππ π€ππ‘π½ ππππ½ πππ€ πππππππ‘, π½ππ πππππππ‘πππ π‘π π½ππ πππ‘ ππππ€ π π‘ππππππ, ππ’ππππ ππ¦ π ππ’πππππ πππ π πππ πππ π‘π½π π€πππ‘π‘ππ π€πππ.πΌπ π‘π½π π½ππππ‘ ππ π½ππ πππ‘πππππ¦ π€πππ πππ¦ π
πΜ, π π½ππ’ππππ¦, ππ ππππ πππ£ππ π‘π½ππ‘ π€ππ’ππ ππππππ π π‘ππ π‘πππππ‘ π‘π π½ππ π‘πππππ‘ πππ π£ππ πππ. π΄π π‘π½π π‘πππ ππ ππππ§π½πΜ πππ πππ‘π’πππ‘πΜ π’πππππππ, πππππππ π€πππ ππππ‘ππ£ππ‘ππ ππ¦ π‘π½π πππ‘πππππ‘π π‘ππππ π‘ππ¦ ππ ππππ‘ππππ , π½ππ π‘πππππ , πππ ππ½ππππ πππ½ππππ ππ’π ππππ π‘π½ππ‘ πππππ π½ π€ππ£π πππ‘π π‘π½π ππππππ‘ππ£π. π»ππ ππ¦πππππ ππππ π πππππ‘ππ π£ππ£ππ ππππππ ππ π‘π½π πππππ ππ πππππππ , π€π½πππ π‘π½π ππππ‘π½ πππ πππππππ₯ππ‘π¦ ππ π½ππ ππ½πππππ‘πππ πππ£ππ‘ππ π‘π½ππ π‘π ππ₯πππππ π‘π½πππ ππ€π π’πππππ π‘ππππππ ππ πππ£π, πππ π , π½πππ, πππ ππππ‘π½.π΄π π‘π½π π€ππππ ππ π
πΜ ππ₯ππππππ, π π π‘ππ πππ πππππ π½'π ππππ’π‘ππ‘πππ ππ π π€πππ‘ππ. π»ππ π’ππππ’π πππππ ππ π π‘πππ¦π‘ππππππ πππ πππ πππ½π‘ππ’π πππππππ‘πππ¦ ππ ππππ‘ππππππππ¦ ππ π π’ππ πππ ππππ‘ππ π€ππ‘π½ πππππππ ππππ πππ π€ππππ ππ ππππ, ππππ€πππ π‘π½ππ πππ‘π π‘π½π πππ‘πππππ¦ π’πππ£πππ π π½π π½ππ πππππ‘ππ. π΄ππ ππ ππππ πππ ππππ ππππππ πππ πππ£ππππ π½ππ π€πππ, π‘π½ππ¦ π‘ππ πππππ π‘π π π½πππ π‘π½πππ ππ€π π π‘πππππ β π π‘πππππ ππ π½ππ€ πππππ π½'π π€πππ‘πππ π½ππ π‘ππ’ππ½ππ π‘π½πππ πππ£ππ πππ πππ πππππ π‘π½ππ π‘π ππππππ ππ π‘π½πππ ππ€π πππ’ππππ¦π ππ π πππ-πππ πππ£πππ¦.π΅π’π‘ πππππ π½'π πππ’ππππ¦ π€ππ πππ‘ π€ππ‘π½ππ’π‘ ππ‘π ππ½ππππππππ . πΌπ π π€ππππ π€π½πππ π‘π½π πππ‘πππππ¦ πππππ ππππ π€ππ ππππ π‘πππ‘ππ¦ π π½πππ‘πππ, π½π ππππ€ π‘π½ππ‘ π½π ππ’π π‘ ππππ‘πππ’π π‘π ππ£πππ£π ππ π π€πππ‘ππ, πππππππππ πππ€ πππππ πππ ππππ ππππ‘ππ£ππ π€π½πππ π π‘ππ¦πππ π‘ππ’π π‘π π½ππ ππ€π πππππ‘ππ£π π£ππ πππ. π΄ππ π π, π½π π ππ’ππ½π‘ ππ’π‘ π‘π½π ππ’ππππππ πππ ππππ‘πππ π½ππ ππ π‘π½ππ π π€π½π π½ππ ππππ ππππππ π½ππ, ππππππππ ππππ π‘π½πππ π€ππ πππ πππ ππ₯ππππππππ ππ πππππ π‘π ππππ€ ππ ππ πππ‘ππ π‘.ππ½πππ’ππ½ π½ππ πππππππ‘πππ π‘π π½ππ πππππ‘ πππ π½ππ π’ππ€ππ£πππππ ππππππ‘ππππ‘ π‘π π πππ-ππππππ£πππππ‘, πππππ π½ πππππ π‘π ππππ π½ππ ππππ ππ π‘π½π πππ‘πππππ¦ π€ππππ. π»ππ π€πππ ππππππππ πππππ π ππππ ππππ‘πππ πππ πππππ πππππ, πππππππ π½ππ π πππππ πππππ π‘π½π πππππ ππ π‘π½π πππ π‘ π‘πππππ‘ππ πππ πππ ππππ‘ππ π€πππ‘πππ ππ π½ππ π‘πππ. π΄ππ π€ππ‘π½ ππππ½ πππ€ π π’ππππ π , π½ππ πππ π πππ πππ π π‘πππ¦π‘ππππππ ππππ¦ ππππ€ π π‘ππππππ, ππππ£πππ π½ππ π‘π ππ₯πππππ πππ€ π½ππππ§πππ πππ πππππ‘π ππ£ππ ππππ ππππ‘ππ£ππ‘πππ ππππππ‘ππ£ππ .πΌπ π‘π½π πππ, πΊπππππ π²ππππππ'π πππ’ππππ¦ ππ π π€πππ‘ππ π€ππ πππ‘ ππππππ¦ ππππ’π‘ πππππ‘πππ π π‘πππππ πππ πππππ‘πππ π€πππππ ; ππ‘ π€ππ ππππ’π‘ π‘ππ’ππ½πππ π‘π½π πππ£ππ ππ π‘π½ππ π π€π½π πππππ’ππ‘ππππ π½ππ π€πππ, π πππππππ π‘π½πππ ππππππππ‘ππππ πππ πππ ππππππ π‘π½ππ π‘π ππππππ ππ π‘π½πππ ππ€π πππ’ππππ¦π ππ π πππ-πππ πππ£πππ¦. π΄ππ ππ π½π ππππ‘πππ’ππ π‘π π€πππ£π π½ππ πππ‘πππππ¦ π‘ππππ π‘ππ¦, πππππ π½ ππππ€ π‘π½ππ‘ π½π π€ππ πππ‘ πππππ β πππ ππ π‘π½π π½ππππ‘π πππ πππππ ππ π½ππ πππππππ , π½ππ π π‘πππππ π€ππ’ππ πππ£π ππ, π π½πππππ ππππ π π‘πππ ππ π‘π½π π£ππ π‘ ππ₯ππππ π ππ π‘π½π πππ‘πππππ¦ π’πππ£πππ π.β
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βπΌπ π π€ππππ π€π½πππ π π‘πππππ ππππ π‘π½π ππ½π¦π‘π½π ππ ππππ, π π¦ππ’ππ ππππ π‘ππ πππππ πΊπππππ π²ππππππ π π‘πππ πππ‘π π‘π½π π π‘πππ, πππππ¦ π‘π πππππ’ππ‘ π π π¦πππ½πππ¦ ππ π€ππππ πππ ππππ‘ππππ . πππ‘π½ ππ π’ππ¦πππππππ πππ π πππ πππ π π‘πππ¦π‘ππππππ, πππππ π½ π€πππ£ππ π ππππ½ πππ πππ‘πππππ‘π π‘ππππ π‘ππ¦ ππ ππππππ‘ππ£ππ π‘π½ππ‘ ππππ‘π’ππ π‘π½π ππ π ππππ ππ π‘π½π π½π’πππ ππ₯ππππππππ. π΄π π½π ππππ ππ π½ππ πππ‘ππ, π‘π½π ππ’π ππ ππ π½ππ πππ‘πππππ¦ π€πππ πππππ π‘π½π πππ, πππ ππππ‘πππ π€ππ‘π½ πππππππ πππ π‘ππππ ππππ‘πππ π‘π½ππ π‘π π πππππ ππ πππ’πππππ π πππππ‘ππ£ππ‘π¦.ππ½π ππππππ ππ‘πππ ππππππ π€ππ‘π½ π‘π½π πππππππ‘π πππ‘ππ ππ π
πΜ, π π½ππ’ππππ¦, ππ ππππ πππ£ππ π‘π½ππ‘ π πππ£ππ ππ π‘π½π πππππππ π‘πππ ππ πππππ π½'π πππ‘πππππ¦ πππ’π . πΈπππ½ π€πππ πππππ‘ππ ππ¦ π½ππ π ππππππ π½πππ ππ ππππ π ππππ ππ πππ ππ π πππππ ππππ£ππ , πππππ‘πππ π π£ππ£ππ ππππ‘ππππ‘ ππ πππ£π, πππ π , π½πππ, πππ ππππ‘π½. ππ½π ππ½πππππ‘πππ ππ ππππ§π½πΜ πππ πππ‘π’πππ‘πΜ πππππ πππππ π π‘π½π πππππ , π‘π½πππ π π‘πππ πππππππ’πππ¦ ππ’ππππ ππ¦ π‘π½π πππ π‘ππππ’π ππππ π π‘π½ππ‘ ππππππ π‘π½ππ π‘π ππππ. π΄π π‘π½πππ π π‘πππ¦ π’ππππππ , π‘π½π ππππππ¦ ππ πππππ π½'π ππππππ‘ππ£π π π€ππππ , πππππππ π‘π½π π½ππππ‘π ππ π½ππ πππππππ π€ππ‘π½ π ππππ π πππ π ππ πππππππ‘πππ πππ π’πππππ π‘ππππππ.π΄π π‘π½π π π¦πππ½πππ¦ πππππππ π ππ , πππππ π½'π πππππ‘ππ£ππ‘π¦ ππππ€π ππ πππ’πππ . π»π π ππππππ π ππ¦ ππππππ πππππππ‘π ππ π½ππ π‘πππ¦, ππ½ππππ πππ½π¦, πππ ππππ‘ππππππππ¦ ππ π π’ππ πππ‘π π½ππ ππππππ‘ππ£ππ , πππππ‘πππ π π½ππππππππ’π ππ’π πππ ππ πππππ π‘π½ππ‘ πππ ππππ‘ππ π€ππ‘π½ πππππππ ππππ πππ π€ππππ ππ ππππ. π»ππ π π‘πππππ π‘ππ’ππ½ π’πππ π‘π½π ππππ ππ π‘π½π π½π’πππ ππ₯ππππππππ, πππ£ππ‘πππ π½ππ ππ’ππππππ π‘π πππππππ‘ ππ π‘π½πππ ππ€π πππ£ππ πππ ππππππ ππ π‘π½πππ ππ€π πππ’ππππ¦π ππ π πππ-πππ πππ£πππ¦.πππ‘, ππππ πππ¦ πππππ‘ ππππππ ππ, πππππ π½ ππ πππ‘ ππππ‘πππ‘ π‘π πππ π‘ ππ π½ππ πππ’ππππ . π»π ππππ π‘πππ‘ππ¦ π ππππ π‘π ππ’π π½ π‘π½π πππ’πππππππ ππ π½ππ πππππ‘, ππ₯ππππππππ‘πππ π€ππ‘π½ πππ€ πππππ πππ π π‘π¦πππ π‘π πππππ‘π ππ ππ£ππ-ππ£πππ£πππ πππ‘πππππ¦ πππππ ππππ. πππ‘π½ ππππ½ πππ€ πππππππ‘, π½ππ πππππππ‘πππ π‘π π½ππ πππ‘ ππππ€π π π‘ππππππ, ππ’ππππ ππ¦ π ππ’πππππ πππ π πππ πππ π‘π½π π€πππ‘π‘ππ π€πππ πππ π‘π½π π’ππ π½πππππππ ππππππ ππ π‘π½π πππ€ππ ππ π π‘πππ¦π‘ππππππ.π΄ππππ π‘ π‘π½π ππππ πππππ ππ πππππππππ πππ πππππ π π‘π½ππ‘ ππππππ€π π½ππ π€πππ, πππππ π½ πππππππ ππππ’ππππ πππ π½π’ππππ. π»π π’πππππ π‘ππππ π‘π½ππ‘ π‘π½π π‘ππ’π ππππ’π‘π¦ ππ π½ππ π π¦πππ½πππ¦ ππππ πππ‘ ππ π‘π½π πππππππππ ππ‘ πππππππ , ππ’π‘ ππ π‘π½π πππ£ππ ππ‘ π‘ππ’ππ½ππ πππ π‘π½π ππππππ ππ‘ πππ πππππ . πππ‘π½ ππππ½ π π‘πππ¦ π½π π€πππ‘ππ , π½π π½ππππ π‘π πππππ‘π π‘π½π πππππ ππ πππππ‘ππ£ππ‘π¦ π€ππ‘π½ππ π½ππ πππππππ , πππ£ππ‘πππ π‘π½ππ π‘π ππππ π½ππ ππ πππππ‘πππ π‘π½πππ ππ€π π π¦πππ½πππππ ππ π€ππππ πππ ππππ‘ππππ .π΄π π‘π½π πππππ πππ‘ππ ππ πΊπππππ π²ππππππ'π πππ‘πππππ¦ π π¦πππ½πππ¦ ππππ πππ‘π π‘π½π ππ‘π½ππ, π π πππ π ππ ππ€π πππ π€πππππ πππππππ ππ π‘π½π πππ. πΉππ π‘π½ππ π π€π½π π½ππ£π π½ππ π‘π½π ππππ£πππππ ππ ππ₯ππππππππππ π½ππ π€πππ, π‘π½π πππ€ππ ππ π½ππ π π‘πππ¦π‘ππππππ π€πππ ππππ‘πππ’π π‘π πππ½π π‘π½πππ’ππ½ π‘π½πππ π½ππππ‘π πππ πππππ , π π‘ππ π‘πππππ‘ π‘π π‘π½π π‘ππππ ππππππ‘ππ£π πππ€ππ ππ π‘π½π π€πππ‘π‘ππ π€πππ. π΄ππ ππ π‘π½π ππππ π‘ππ π π‘πππ ππππ ππππ π‘π½π π π‘πππ, π½ππ πππ‘ππ ππππ ππ ππ π‘πππ’πππ½, π½π ππππ€π π‘π½ππ‘ π½ππ π π¦πππ½πππ¦ π½ππ ππππ¦ ππ’π π‘ ππππ’π β πππ π‘π½ππ‘ π‘π½π π€ππππ ππ π π‘πππππ ππ ππππ½ππ πππ π½ππ ππππ ππππ.β
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