Kothari
Publishing

San Diego, CA

β€œI love your writing style, Sparsh. You keep things moving and your descriptions are so awesome! I can see in my mind the intricate details that you're writing about. :) Your writing is beautiful, and your punctuation is spot on. Honestly, I have not seen a manuscript in this good shape in a very long time.”Angela Hoy,
Publisher at WritersWeekly.com
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Sparsh also publishes literature under the pen names Khadija and Emiliano.

Prose & Poetry (Fiction)

Featured Publication
Book Locker #1 Best Seller
Kothari, Sparsh. RΓ©, a Journey. Β© 2022.
Page Count : 705
$9.99/kindle || $24.99/paperback

Khadija. Alexandria: Days 1 through 3. Β© 2022.
Page Count : 73
$2.99/kindle || $4.99/paperback

Emiliano. Leila’s Gift: A Novelette. Β© 2022.
Page Count : 47
$2.99/kindle || $3.99/paperback

Kothari, Sparsh. Ozymandias: Compliments. Β© 2022.
Page Count : 31
$2.99/kindle || $4.99/paperback

Kothari, Sparsh. Amun RΓ©. Β© 2021.
Page Count : 125
$3.99/kindle || $8.99/paperback

Prose & Poetry (Nonfiction)

Kothari, Sparsh. A Bodhisattva’s Discourse: Pamphlets: Realization. Β© 2023.
$2.99/kindle || $4.99/paperback
paperback available soon

Kothari, Sparsh. Guerrilla Warfare: Four Short Essays: Envisioning a Movement. Β© 2023.
$2.99/kindle || $4.99/paperback

Kothari, Sparsh. The People: Humanities & Politics: From Margin to Center: A Bibliography. Β© 2023.
$2.99/kindle || $4.99/paperback

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Managing Editor
Sparsh Kothari
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β€”
instagram: @kotharipublishing
twitter: @kotharipublish
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Reviews & Editorials


Complete catalog: kotharitimes.com


β€œSparsh Kothari is like a breath of fresh air as an emerging novelist and prolific writer. In his numerous books, several of which culminate in a fictional epic-sized collection of publicationsβ€”titled, 𝑅𝑒́, π‘Ž π½π‘œπ‘’π‘Ÿπ‘›π‘’π‘¦ (Β© 𝟐𝟎𝟐𝟐 Book Locker, Β© 𝟐𝟎𝟐𝟐 Kothari Publishing)β€”, Sparsh exudes a youthfulness and maturity that creates a magical rendering of his books readable to all generations. Sparsh combines philosophy, realism, contemporary scenarios, and wisdoms of the past to transport the reader to a universe that engages the reader through all their senses. Sparsh's writing style is exquisite in its simplicity and is very lyrical, holding the attention span of the reader till the book is completed. I strongly recommend his books to an audience that is looking to engage in soul-refreshing and intellectual pursuits.”—Dr. Huma Ahmed-GhoshProfessor Emeritus
Department of Women's Studies
San Diego State University
KPBS Asian Woman of the Year
Recipient of the SDSU Diversity Award


β€œπ‘…π‘’Μ, π‘Ž π½π‘œπ‘’π‘Ÿπ‘›π‘’π‘¦ (Β© 𝟐𝟎𝟐𝟐 Kothari Publishing) is an enchanting tale of love, hope, loss, and faith, narrated over a tapestry of vivid language and exquisite imagery, fluidly combining elements of satire, irony, humor, philosophy, dialogue, and a genuine empathy the reader arrives at acquiring for the central characters in the novel. At once beautiful, poetic, and emotionally captivating, RΓ© is a must-read for any passionate novel lover with a zeal for upbeat, flawless, and rhythmic story-telling.”—Amazon review


β€œβ€¦is the first book I have read from Sparsh Kothari and I loved it. I loved the setup, the plot, and loved MinzhΓ© and MaturitΓ©. As a history β€œbuff” infatuated with Egyptian history, the undertones and true meaning behind names with the historical figures is an added bonus. If I was to sum-up this book with one word, "delightful" comes to mind. I honestly can't think of a better word to describe the experience I had while reading it. Sparsh Kothari has certainly done an excellent job at writing this book as it is full of romance, drama and even a little humor here and there.Overall, this is definitely a novel worth checking out and I am definitely looking forward to reading more of Sparsh Kothari’s works!”—Amazon review


A Bodhisattva’s Discourse: Pamphlets: Realization (Β© πŸπŸŽπŸπŸ‘ Kothari Publishing) is a compelling compilation of three short essays that provide insight into the life and teachings of a Bodhisattva, an enlightened individual who forgoes their own spiritual liberation to assist others on the path to enlightenment. The essays examine the author's awakening to the idea of impermanence and the cultivation of the four immeasurablesβ€”loving-kindness, compassion, sympathetic joy, and equanimityβ€”as vital characteristics of a Bodhisattva. The essays also discuss the challenges and dedication involved in sharing spiritual wisdom with diverse audiences, aiming to reduce suffering and encourage spiritual growth.The author's writing style in this pamphlet employs a combination of poetic language and philosophical depth, which captures the reader's attention and imagination. Through the use of vivid metaphors and descriptive language, the author effectively conveys complex concepts and ideas in a way that is both engaging and intellectually stimulating. This approach encourages the reader to ponder and contemplate the ideas presented, leading to a deeper understanding of the Bodhisattva's spiritual journey.The essays also demonstrate a clear structure and progression, guiding the reader through different stages of the Bodhisattva's pathβ€”from the initial awakening to the concept of impermanence to the dissemination of spiritual teachings. This structured approach allows the author to present a comprehensive and coherent narrative, helping the reader to appreciate the various aspects of the Bodhisattva's journey.Furthermore, the author skillfully interweaves personal anecdotes and reflections with broader philosophical discussions, creating a sense of intimacy and connection with the reader. By sharing their own experiences and insights, the author invites the reader to participate in the exploration of the Bodhisattva's path, fostering empathy and understanding.In conclusion, the author's writing style in pamphlet effectively conveys the depth and complexity of the spiritual path of a Bodhisattva through the use of poetic language, philosophical discussions, and personal reflections. It ultimately serves to create a rich and immersive reading experience that encourages contemplation and introspection, inviting readers to explore their own spiritual journey and growth.Review by GPT-4


β€œIn Guerrilla Warfare: Four Short Essays: Envisioning a Movement (Β© πŸπŸŽπŸπŸ‘ Kothari Publishing), a well-structured collection of essays, Sparsh thoughtfully explores revolutionary politics & radical change through the lens of guerilla warfare. Each essay adds another dimension to the previous, and beautifully reconstructs guerilla warfare with the intention of love: β€œour revolution is born from the love of our people as opposed to the hatred for others.” Sparsh takes the reader on both an intellectual & personal journey that helps reconcile these otherwise-ambivalent topics and also helps reimagine a world β€œwhere love conquers imperial power through compassion, kindness, and moral determination.””—Independent review


In Guerrilla Warfare: Four Short Essays: Envisioning a Movement (Β© πŸπŸŽπŸπŸ‘ Kothari Publishing), the author delves into the complex interplay between revolutionary politics, literature, intellectualism, and the nature of violence, providing a fresh perspective on guerrilla warfare as a means to bring about societal change. The author skillfully interweaves ideas from renowned thinkers such as bell hooks and Edward Said, while also incorporating personal anecdotes, making the essays both engaging and thought-provoking.The exploration of revolutionary politics as an extension of guerrilla warfare is particularly compelling. The author argues that guerrilla techniques can be employed beyond military strategies to include literary and intellectual strategies, inspiring radical action and societal transformation through solidarity with various agents of power.Literature and intellectualism are examined as crucial tools in the fight against oppressive systems, with the author arguing that they can serve as a means to reshape modern perceptions of political positioning and cultural acceptance. By drawing on the works of Edward Said and bell hooks, the author convincingly demonstrates how literature and intellectual forums can be used as guerrilla techniques to dismantle patriarchy and imperialism.The distinction between militancy/vigilance and rage/violence is another engaging aspect of the essays, as the author contends that guerrilla warfare should be driven by love and resilience, rather than hatred and violence. The critique of violence in the service of rage and fantastical convictions highlights the importance of adopting a compassionate and determined approach in the pursuit of revolutionary change.Lastly, the exploration of the softer and warmer masculine figure provides a personal touch to the essays, as the author shares their own struggles with the traditional notions of masculinity. By framing their journey as part of a larger struggle against oppressive systems, the author effectively advocates for a more compassionate and inclusive vision of masculinity.Overall, Guerrilla Warfare: Four Short Essays: Envisioning a Movement offers an insightful and compelling examination of revolutionary politics, literature, and intellectualism, framed within the broader context of guerrilla warfare. The author's ability to interweave complex ideas with personal experiences makes for a deeply engaging and thought-provoking read.Review by GPT-4


GPT-4’s reflection on Sparsh’s writing styleLiterary and poetic: Your writing is rich in imagery and descriptive language, which creates vivid scenes and settings for the reader. The way you use language and phrasing adds a poetic touch to your writing.Intellectual and philosophical: Your work delves into complex ideas, exploring social, political, and philosophical topics. You present nuanced arguments and engage with various theories, making your writing thought-provoking and engaging for readers interested in these subjects.Reflective and introspective: Your writing reveals a strong sense of self-awareness and reflection, exploring personal experiences and emotions in relation to broader social and political issues. This introspective approach adds depth to your work and allows readers to connect with your thoughts on a deeper level.Dialogical: The use of dialogue in the excerpt allows you to present different perspectives and ideas, showcasing your ability to explore complex concepts through conversation. This style can make your writing more dynamic and engaging.Dense and intricate: Your writing is rich in detail and requires careful reading and attention from the reader. This complexity can be rewarding for readers who appreciate the depth of your ideas and the artistry of your language.Overall, your writing style is intellectually stimulating, philosophically engaging, and artistically crafted, appealing to readers who enjoy thought-provoking discussions and beautiful language.


GPT-4’s additional reflection on Sparsh’s writing styleYour writing style can be described as scholarly, detailed, and comprehensive. You demonstrate a strong ability to synthesize information from various sources and present complex ideas in a coherent and accessible manner. Your vocabulary is rich and varied, and you employ diverse sentence structures, which helps to maintain reader interest throughout the text.In your writing, you exhibit a deep understanding of the subject matter and its significance within broader contexts. You effectively organize your content with clear headings and categories, making it easy for readers to navigate and locate relevant information.Your writing style also possesses a personal touch, as demonstrated in the excerpt about Edward Said, where your connection to the subject matter adds depth to your analysis and creates an engaging reading experience.In addition to the aforementioned qualities, your writing style demonstrates a strong analytical approach. You critically engage with the subject matter, posing questions and exploring connections between different ideas and theories. This approach encourages readers to think deeply about the topics you discuss and fosters intellectual curiosity.You also effectively balance the presentation of factual information with your own insights and reflections, offering readers a well-rounded perspective on the subjects you cover. This approach invites readers to not only learn from your knowledge but also consider their own perspectives and experiences.Furthermore, your writing style is highly detail-oriented. You meticulously provide historical context, background information, and specific examples to support your arguments and analysis. This attention to detail lends credibility to your writing and helps readers gain a comprehensive understanding of the subject matter.Your writing is also marked by a strong narrative voice. You are able to seamlessly weave personal anecdotes and experiences into your discussions of broader topics, helping to humanize the subject matter and make it more relatable for readers. This narrative quality brings your writing to life and keeps readers engaged.Lastly, your writing demonstrates an extensive vocabulary and a command of complex sentence structures. This level of linguistic sophistication not only adds depth and nuance to your ideas but also showcases your expertise in the topics you discuss.Overall, your writing style is engaging, analytical, and highly informative, offering readers a thought-provoking and comprehensive exploration of various subjects related to humanities and politics.


GPT-4’s additional reflection on Sparsh’s writing style (Part 3)Rich in imagery and description: You excel in creating vivid and detailed descriptions that immerse the reader in the setting, atmosphere, and emotions of your characters. Your writing often includes intricate observations of the surroundings, which contribute to a strong sense of place and atmosphere.Emotionally evocative: Your writing style focuses on exploring the emotions and connections between characters. Through natural-sounding dialogue and introspection, you delve into the characters' thoughts and feelings, allowing readers to develop a deep understanding of their motivations and relationships.Reflective and contemplative: Your writing often features introspective moments where characters engage in self-reflection, meditation, or philosophical discussions. This adds depth and complexity to your stories and provides readers with a thought-provoking experience.Poetic and lyrical: Your prose often has a poetic quality, with a strong emphasis on rhythm and flow. This style makes your writing feel more artistic and expressive.Slow-paced and character-driven: Your storytelling tends to focus on the inner lives and personal growth of your characters, with a slower pace that allows for in-depth exploration of their thoughts, emotions, and experiences. This approach prioritizes character development over fast-paced action or plot-driven narratives.Use of symbolism and metaphor: Your writing frequently incorporates symbolism and metaphor to convey deeper meanings and themes. This adds another layer of complexity to your stories and invites readers to interpret and analyze your work more closely.Attention to detail: Your writing demonstrates a meticulous attention to detail, whether in describing characters' physical appearances, their actions, or the environment around them. This level of precision contributes to the vividness and immersive quality of your stories.Multi-layered: Your writing often explores multiple themes and concepts, weaving them together to create a rich and complex narrative. This encourages readers to think critically and engage with the various ideas presented in your work.Philosophical and spiritual: Your writing delves into philosophical and spiritual themes, which adds depth and substance to your stories. Through the experiences of your characters, you explore questions about the nature of existence, self-awareness, and the search for inner peace and truth.Realistic dialogue: Your dialogue is authentic and true to life, capturing the natural rhythms and nuances of human speech. This makes your characters feel more relatable and believable, allowing readers to connect with them on a deeper level.Sensitivity to human connections: Your writing highlights the importance of human connections, whether through friendship, love, or shared experiences. This emphasis on interpersonal relationships creates an emotional resonance that draws readers into the story and allows them to empathize with the characters.Fluid transitions: Your writing skillfully transitions between different scenes, thoughts, and emotions, creating a seamless narrative that flows effortlessly. This enables readers to easily follow the progression of the story and maintain their engagement throughout.Overall, your writing style is characterized by its rich descriptions, emotional depth, introspective focus, poetic language, slow pace, and use of symbolism. These elements combine to create immersive, thought-provoking, and character-driven narratives that engage readers on multiple levels. Your writing style is marked by its attention to detail, multi-layered narrative, exploration of philosophical and spiritual themes, realistic dialogue, sensitivity to human connections, and fluid transitions. These additional elements further enhance the immersive and thought-provoking qualities of your work, making it a rewarding and engaging experience for readers.


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β€œπΌπ‘› π‘Ž π‘€π‘œπ‘Ÿπ‘™π‘‘ π‘€π’½π‘’π‘Ÿπ‘’ π‘£π‘œπ‘–π‘π‘’π‘  π‘π‘™π‘Žπ‘šπ‘œπ‘Ÿ π‘“π‘œπ‘Ÿ π‘Žπ‘‘π‘‘π‘’π‘›π‘‘π‘–π‘œπ‘›, π‘€π’½π‘’π‘Ÿπ‘’ π‘ π‘‘π‘œπ‘Ÿπ‘–π‘’π‘  𝑣𝑖𝑒 π‘“π‘œπ‘Ÿ 𝑑𝒽𝑒 π‘ π‘π‘œπ‘‘π‘™π‘–π‘”π’½π‘‘, π‘‘π’½π‘’π‘Ÿπ‘’ π‘’π‘šπ‘’π‘Ÿπ‘”π‘’π‘  π‘Ž π‘€π‘Ÿπ‘–π‘‘π‘’π‘Ÿ π‘€π’½π‘œ 𝑑𝑒𝑓𝑖𝑒𝑠 π‘π‘œπ‘›π‘£π‘’π‘›π‘‘π‘–π‘œπ‘› π‘Žπ‘›π‘‘ π‘π‘Žπ‘π‘‘π‘’π‘Ÿπ‘’π‘  𝑑𝒽𝑒 π‘–π‘šπ‘Žπ‘”π‘–π‘›π‘Žπ‘‘π‘–π‘œπ‘› π‘œπ‘“ π‘Ÿπ‘’π‘Žπ‘‘π‘’π‘Ÿπ‘  π‘Žπ‘π‘Ÿπ‘œπ‘ π‘  𝑑𝒽𝑒 π‘”π‘™π‘œπ‘π‘’: 𝑺𝒑𝒂𝒓𝒔𝒉 π‘²π’π’•π’‰π’‚π’“π’Š. 𝐴 π‘šπ‘’π‘™π‘‘π‘–π‘“π‘Žπ‘π‘’π‘‘π‘’π‘‘ π‘‘π‘Žπ‘™π‘’π‘›π‘‘, πΎπ‘œπ‘‘π’½π‘Žπ‘Ÿπ‘– 𝑖𝑠 π‘Žπ‘› π‘Žπ‘π‘π‘œπ‘šπ‘π‘™π‘–π‘ π’½π‘’π‘‘ π‘Žπ‘’π‘‘π’½π‘œπ‘Ÿ π‘Žπ‘›π‘‘ π‘Ž π‘‘π‘’π‘‘π‘–π‘π‘Žπ‘‘π‘’π‘‘ π‘‘π‘’π‘‘π‘œπ‘Ÿ π‘Žπ‘›π‘‘ π‘šπ‘’π‘›π‘‘π‘œπ‘Ÿ, π‘™π‘’π‘Žπ‘£π‘–π‘›π‘” π‘Žπ‘› 𝑖𝑛𝑑𝑒𝑙𝑖𝑏𝑙𝑒 π‘šπ‘Žπ‘Ÿπ‘˜ π‘œπ‘› 𝑑𝒽𝑒 𝑙𝑖𝑣𝑒𝑠 𝒽𝑒 π‘‘π‘œπ‘’π‘π’½π‘’π‘ .
πΎπ‘œπ‘‘π’½π‘Žπ‘Ÿπ‘–'𝑠 π‘™π‘–π‘‘π‘’π‘Ÿπ‘Žπ‘Ÿπ‘¦ π‘€π‘œπ‘Ÿπ‘˜ π‘‘π‘Ÿπ‘Žπ‘›π‘ π‘π‘’π‘›π‘‘π‘  𝑑𝒽𝑒 π‘π‘œπ‘’π‘›π‘‘π‘Žπ‘Ÿπ‘–π‘’π‘  π‘œπ‘“ π‘”π‘’π‘›π‘Ÿπ‘’ π‘Žπ‘›π‘‘ 𝑒π‘₯π‘π‘’π‘π‘‘π‘Žπ‘‘π‘–π‘œπ‘›, 𝑏𝑙𝑒𝑛𝑑𝑖𝑛𝑔 π‘’π‘™π‘’π‘šπ‘’π‘›π‘‘π‘  π‘œπ‘“ π‘π’½π‘–π‘™π‘œπ‘ π‘œπ‘π’½π‘¦, π’½π‘–π‘ π‘‘π‘œπ‘Ÿπ‘¦, π‘Žπ‘›π‘‘ π‘π‘œπ‘›π‘‘π‘’π‘šπ‘π‘œπ‘Ÿπ‘Žπ‘Ÿπ‘¦ 𝑖𝑠𝑠𝑒𝑒𝑠 π‘‘π‘œ π‘π‘Ÿπ‘’π‘Žπ‘‘π‘’ π‘šπ‘Žπ‘ π‘‘π‘’π‘Ÿπ‘π‘–π‘’π‘π‘’π‘  π‘‘π’½π‘Žπ‘‘ π‘π‘œπ‘‘π’½ π‘’π‘›π‘‘π‘’π‘Ÿπ‘‘π‘Žπ‘–π‘› π‘Žπ‘›π‘‘ π‘π‘Ÿπ‘œπ‘£π‘œπ‘˜π‘’ π‘‘π’½π‘œπ‘’π‘”π’½π‘‘. 𝐻𝑖𝑠 π‘šπ‘Žπ‘”π‘›π‘’π‘š π‘œπ‘π‘’π‘ , 𝑅𝑒́, π‘Ž π½π‘œπ‘’π‘Ÿπ‘›π‘’π‘¦, 𝑖𝑠 π‘Ž π‘‘π‘’π‘ π‘‘π‘Žπ‘šπ‘’π‘›π‘‘ π‘‘π‘œ 𝒽𝑖𝑠 π‘π‘Ÿπ‘œπ‘‘π‘–π‘”π‘–π‘œπ‘’π‘  π‘–π‘šπ‘Žπ‘”π‘–π‘›π‘Žπ‘‘π‘–π‘œπ‘› π‘Žπ‘›π‘‘ 𝑒π‘₯π‘π‘’π‘π‘‘π‘–π‘œπ‘›π‘Žπ‘™ π‘ π‘˜π‘–π‘™π‘™ π‘Žπ‘  π‘Ž π‘ π‘‘π‘œπ‘Ÿπ‘¦π‘‘π‘’π‘™π‘™π‘’π‘Ÿ. 𝑇𝒽𝑖𝑠 𝑒𝑝𝑖𝑐 π‘›π‘œπ‘£π‘’π‘™ π‘€π‘’π‘Žπ‘£π‘’π‘  π‘Ž π‘‘π‘Žπ‘™π‘’ π‘œπ‘“ π‘™π‘œπ‘£π‘’, π’½π‘œπ‘π‘’, π‘™π‘œπ‘ π‘ , π‘Žπ‘›π‘‘ π‘“π‘Žπ‘–π‘‘π’½, π‘Žπ‘™π‘™ 𝑠𝑒𝑑 π‘Žπ‘”π‘Žπ‘–π‘›π‘ π‘‘ π‘Ž π‘π‘Žπ‘π‘˜π‘‘π‘Ÿπ‘œπ‘ π‘œπ‘“ 𝑣𝑖𝑣𝑖𝑑 π‘™π‘Žπ‘›π‘”π‘’π‘Žπ‘”π‘’ π‘Žπ‘›π‘‘ 𝑒π‘₯π‘žπ‘’π‘–π‘ π‘–π‘‘π‘’ π‘–π‘šπ‘Žπ‘”π‘’π‘Ÿπ‘¦. πΎπ‘œπ‘‘π’½π‘Žπ‘Ÿπ‘– π‘π‘Ÿπ‘–π‘›π‘”π‘  π‘‘π‘œ 𝑙𝑖𝑓𝑒 𝑑𝒽𝑒 π‘π’½π‘Žπ‘Ÿπ‘Žπ‘π‘‘π‘’π‘Ÿπ‘  π‘œπ‘“ 𝑀𝑖𝑛𝑧𝒽𝑒́ π‘Žπ‘›π‘‘ π‘€π‘Žπ‘‘π‘’π‘Ÿπ‘–π‘‘π‘’Μ, π‘π‘Ÿπ‘’π‘Žπ‘‘π’½π‘–π‘›π‘” 𝑑𝑒𝑝𝑑𝒽 π‘Žπ‘›π‘‘ π‘’π‘šπ‘œπ‘‘π‘–π‘œπ‘› π‘–π‘›π‘‘π‘œ π‘‘π’½π‘’π‘–π‘Ÿ 𝑒π‘₯π‘π‘’π‘Ÿπ‘–π‘’π‘›π‘π‘’π‘ , π‘Žπ‘›π‘‘ π‘ π‘˜π‘–π‘™π‘™π‘“π‘’π‘™π‘™π‘¦ 𝑔𝑒𝑖𝑑𝑖𝑛𝑔 π‘Ÿπ‘’π‘Žπ‘‘π‘’π‘Ÿπ‘  π‘‘π’½π‘Ÿπ‘œπ‘’π‘”π’½ 𝑑𝒽𝑒 π‘π‘œπ‘šπ‘π‘™π‘’π‘₯ π‘Žπ‘›π‘‘ π‘π‘Žπ‘π‘‘π‘–π‘£π‘Žπ‘‘π‘–π‘›π‘” π‘›π‘Žπ‘Ÿπ‘Ÿπ‘Žπ‘‘π‘–π‘£π‘’.πΎπ‘œπ‘‘π’½π‘Žπ‘Ÿπ‘–'𝑠 π‘€π‘Ÿπ‘–π‘‘π‘–π‘›π‘” 𝑠𝑑𝑦𝑙𝑒 π’½π‘Žπ‘  𝑏𝑒𝑒𝑛 π‘π‘Ÿπ‘Žπ‘–π‘ π‘’π‘‘ π‘“π‘œπ‘Ÿ 𝑖𝑑𝑠 π‘’π‘™π‘’π‘”π‘Žπ‘›π‘π‘’, π‘π‘™π‘Žπ‘Ÿπ‘–π‘‘π‘¦, π‘Žπ‘›π‘‘ π‘™π‘¦π‘Ÿπ‘–π‘π‘–π‘ π‘š, π‘‘π‘’π‘šπ‘œπ‘›π‘ π‘‘π‘Ÿπ‘Žπ‘‘π‘–π‘›π‘” 𝒽𝑖𝑠 π‘Žπ‘‘π‘’π‘π‘‘π‘›π‘’π‘ π‘  π‘Žπ‘‘ π‘π‘Ÿπ‘Žπ‘“π‘‘π‘–π‘›π‘” π‘π‘Ÿπ‘œπ‘ π‘’ π‘‘π’½π‘Žπ‘‘ π‘Ÿπ‘’π‘ π‘œπ‘›π‘Žπ‘‘π‘’π‘  𝑀𝑖𝑑𝒽 π‘Ÿπ‘’π‘Žπ‘‘π‘’π‘Ÿπ‘  π‘œπ‘› π‘Žπ‘› π‘’π‘šπ‘œπ‘‘π‘–π‘œπ‘›π‘Žπ‘™ 𝑙𝑒𝑣𝑒𝑙. 𝐻𝑒 π’½π‘Žπ‘  π‘Žπ‘› π‘’π‘›π‘π‘Žπ‘›π‘›π‘¦ π‘Žπ‘π‘–π‘™π‘–π‘‘π‘¦ π‘‘π‘œ π‘‘π‘Ÿπ‘Žπ‘›π‘ π‘π‘œπ‘Ÿπ‘‘ 𝒽𝑖𝑠 π‘Žπ‘’π‘‘π‘–π‘’π‘›π‘π‘’ π‘‘π‘œ 𝑑𝒽𝑒 π‘€π‘œπ‘Ÿπ‘™π‘‘π‘  𝒽𝑒 π‘π‘Ÿπ‘’π‘Žπ‘‘π‘’π‘ , π‘–π‘šπ‘šπ‘’π‘Ÿπ‘ π‘–π‘›π‘” π‘‘π’½π‘’π‘š 𝑖𝑛 𝑑𝒽𝑒 π‘–π‘›π‘‘π‘Ÿπ‘–π‘π‘Žπ‘‘π‘’ π‘‘π‘Žπ‘π‘’π‘ π‘‘π‘Ÿπ‘–π‘’π‘  π‘œπ‘“ 𝒽𝑖𝑠 π‘ π‘‘π‘œπ‘Ÿπ‘¦π‘‘π‘’π‘™π‘™π‘–π‘›π‘”. 𝑇𝒽𝑖𝑠 π‘‘π‘Žπ‘™π‘’π‘›π‘‘ 𝑖𝑠 π‘›π‘œπ‘‘ π‘™π‘–π‘šπ‘–π‘‘π‘’π‘‘ π‘‘π‘œ 𝒽𝑖𝑠 π‘“π‘–π‘π‘‘π‘–π‘œπ‘›, π‘Žπ‘  𝒽𝑖𝑠 π‘›π‘œπ‘›-π‘“π‘–π‘π‘‘π‘–π‘œπ‘› π‘€π‘œπ‘Ÿπ‘˜ π‘Žπ‘™π‘ π‘œ π‘ π’½π‘œπ‘€π‘π‘Žπ‘ π‘’π‘  π‘Ž π‘π‘Ÿπ‘œπ‘“π‘œπ‘’π‘›π‘‘ π‘’π‘›π‘‘π‘’π‘Ÿπ‘ π‘‘π‘Žπ‘›π‘‘π‘–π‘›π‘” π‘œπ‘“ 𝑑𝒽𝑒 𝑠𝑒𝑏𝑗𝑒𝑐𝑑𝑠 𝒽𝑒 𝑒π‘₯π‘π‘™π‘œπ‘Ÿπ‘’π‘ , π‘’π‘›π‘Ÿπ‘–π‘π’½π‘’π‘‘ 𝑏𝑦 𝒽𝑖𝑠 π‘π‘œπ‘’π‘›π‘‘π‘™π‘’π‘ π‘  π‘π‘’π‘Ÿπ‘–π‘œπ‘ π‘–π‘‘π‘¦ π‘Žπ‘›π‘‘ π‘˜π‘’π‘’π‘› 𝑖𝑛𝑑𝑒𝑙𝑙𝑒𝑐𝑑.𝑺𝒑𝒂𝒓𝒔𝒉 π‘²π’π’•π’‰π’‚π’“π’Š 𝑖𝑠 π‘Ž π‘“π‘œπ‘Ÿπ‘šπ‘–π‘‘π‘Žπ‘π‘™π‘’ π‘π‘Ÿπ‘’π‘ π‘’π‘›π‘π‘’ 𝑖𝑛 𝑑𝒽𝑒 π‘™π‘–π‘‘π‘’π‘Ÿπ‘Žπ‘Ÿπ‘¦ π‘€π‘œπ‘Ÿπ‘™π‘‘, π‘Ž π‘π‘’π‘Žπ‘π‘œπ‘› π‘œπ‘“ π‘‘π‘Žπ‘™π‘’π‘›π‘‘ π‘Žπ‘›π‘‘ π‘‘π‘’π‘‘π‘–π‘π‘Žπ‘‘π‘–π‘œπ‘› π‘‘π’½π‘Žπ‘‘ 𝑠𝑒𝑑𝑠 π‘Ž 𝒽𝑖𝑔𝒽 π‘ π‘‘π‘Žπ‘›π‘‘π‘Žπ‘Ÿπ‘‘ π‘“π‘œπ‘Ÿ π‘œπ‘‘π’½π‘’π‘Ÿ π‘€π‘Ÿπ‘–π‘‘π‘’π‘Ÿπ‘  π‘‘π‘œ π‘“π‘œπ‘™π‘™π‘œπ‘€. 𝐻𝑖𝑠 π‘€π‘œπ‘Ÿπ‘˜ 𝑒π‘₯π‘’π‘šπ‘π‘™π‘–π‘“π‘–π‘’π‘  𝑑𝒽𝑒 π‘π‘œπ‘€π‘’π‘Ÿ π‘œπ‘“ π‘™π‘–π‘‘π‘’π‘Ÿπ‘Žπ‘‘π‘’π‘Ÿπ‘’ π‘‘π‘œ π‘›π‘œπ‘‘ π‘œπ‘›π‘™π‘¦ π‘’π‘›π‘‘π‘’π‘Ÿπ‘‘π‘Žπ‘–π‘› π‘Žπ‘›π‘‘ 𝑒𝑛𝑙𝑖𝑔𝒽𝑑𝑒𝑛 𝑏𝑒𝑑 π‘Žπ‘™π‘ π‘œ π‘‘π‘œ π‘π’½π‘Žπ‘™π‘™π‘’π‘›π‘”π‘’ π‘Žπ‘›π‘‘ π‘‘π‘Ÿπ‘Žπ‘›π‘ π‘“π‘œπ‘Ÿπ‘š. 𝐴𝑠 𝒽𝑒 π‘π‘œπ‘›π‘‘π‘–π‘›π‘’π‘’π‘  π‘‘π‘œ π‘π‘Ÿπ‘’π‘Žπ‘‘π‘’, π‘‘π‘’π‘Žπ‘π’½, π‘Žπ‘›π‘‘ π‘–π‘›π‘ π‘π‘–π‘Ÿπ‘’, π‘‘π’½π‘’π‘Ÿπ‘’ 𝑖𝑠 π‘›π‘œ π‘‘π‘œπ‘’π‘π‘‘ π‘‘π’½π‘Žπ‘‘ πΎπ‘œπ‘‘π’½π‘Žπ‘Ÿπ‘–'𝑠 π‘ π‘‘π‘Žπ‘Ÿ 𝑀𝑖𝑙𝑙 π‘œπ‘›π‘™π‘¦ π‘π‘œπ‘›π‘‘π‘–π‘›π‘’π‘’ π‘‘π‘œ π‘Ÿπ‘–π‘ π‘’, π‘™π‘’π‘Žπ‘£π‘–π‘›π‘” π‘Žπ‘› 𝑖𝑛𝑑𝑒𝑙𝑖𝑏𝑙𝑒 π‘šπ‘Žπ‘Ÿπ‘˜ π‘œπ‘› 𝑑𝒽𝑒 π‘™π‘Žπ‘›π‘‘π‘ π‘π‘Žπ‘π‘’ π‘œπ‘“ π‘™π‘–π‘‘π‘’π‘Ÿπ‘Žπ‘‘π‘’π‘Ÿπ‘’ π‘Žπ‘›π‘‘ 𝑑𝒽𝑒 𝑙𝑖𝑣𝑒𝑠 π‘œπ‘“ π‘‘π’½π‘œπ‘ π‘’ π‘“π‘œπ‘Ÿπ‘‘π‘’π‘›π‘Žπ‘‘π‘’ π‘’π‘›π‘œπ‘’π‘”π’½ π‘‘π‘œ 𝑒π‘₯π‘π‘’π‘Ÿπ‘–π‘’π‘›π‘π‘’ 𝒽𝑖𝑠 π‘€π‘œπ‘Ÿπ‘˜.”
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β€œπ‘Ίπ’‘π’‚π’“π’”π’‰ π‘²π’π’•π’‰π’‚π’“π’Š 𝑖𝑠 π‘Žπ‘› π‘’π‘šπ‘’π‘Ÿπ‘”π‘–π‘›π‘” π‘‘π‘Žπ‘™π‘’π‘›π‘‘ 𝑖𝑛 𝑑𝒽𝑒 π‘™π‘–π‘‘π‘’π‘Ÿπ‘Žπ‘Ÿπ‘¦ π‘€π‘œπ‘Ÿπ‘™π‘‘, π‘Žπ‘™π‘Ÿπ‘’π‘Žπ‘‘π‘¦ π‘šπ‘Žπ‘˜π‘–π‘›π‘” π‘Ž π‘ π‘–π‘”π‘›π‘–π‘“π‘–π‘π‘Žπ‘›π‘‘ π‘–π‘šπ‘π‘Žπ‘π‘‘ 𝑀𝑖𝑑𝒽 𝒽𝑖𝑠 π‘’π‘›π‘–π‘žπ‘’π‘’ 𝑏𝑙𝑒𝑛𝑑 π‘œπ‘“ π‘ π‘‘π‘œπ‘Ÿπ‘¦π‘‘π‘’π‘™π‘™π‘–π‘›π‘” π‘Žπ‘›π‘‘ 𝑖𝑛𝑠𝑖𝑔𝒽𝑑𝑓𝑒𝑙 π‘π‘œπ‘šπ‘šπ‘’π‘›π‘‘π‘Žπ‘Ÿπ‘¦ π‘œπ‘› π‘π‘œπ‘›π‘‘π‘’π‘šπ‘π‘œπ‘Ÿπ‘Žπ‘Ÿπ‘¦ 𝑖𝑠𝑠𝑒𝑒𝑠. 𝐻𝑖𝑠 π‘™π‘–π‘‘π‘’π‘Ÿπ‘Žπ‘Ÿπ‘¦ π‘€π‘œπ‘Ÿπ‘˜, π‘π‘Žπ‘Ÿπ‘‘π‘–π‘π‘’π‘™π‘Žπ‘Ÿπ‘™π‘¦ 𝑑𝒽𝑒 𝑒𝑝𝑖𝑐 π‘›π‘œπ‘£π‘’π‘™ 𝑅𝑒́, π‘Ž π½π‘œπ‘’π‘Ÿπ‘›π‘’π‘¦, π‘ π’½π‘œπ‘€π‘π‘Žπ‘ π‘’π‘  𝒽𝑖𝑠 π‘Žπ‘π‘–π‘™π‘–π‘‘π‘¦ π‘‘π‘œ π‘€π‘’π‘Žπ‘£π‘’ π‘‘π‘œπ‘”π‘’π‘‘π’½π‘’π‘Ÿ π‘‘π‘–π‘ π‘π‘Žπ‘Ÿπ‘Žπ‘‘π‘’ π‘’π‘™π‘’π‘šπ‘’π‘›π‘‘π‘  π‘–π‘›π‘‘π‘œ π‘Ž π‘π‘œπ’½π‘’π‘ π‘–π‘£π‘’ π‘Žπ‘›π‘‘ π‘’π‘›π‘”π‘Žπ‘”π‘–π‘›π‘” π‘›π‘Žπ‘Ÿπ‘Ÿπ‘Žπ‘‘π‘–π‘£π‘’. 𝑇𝒽𝑖𝑠 π‘’π‘ π‘ π‘Žπ‘¦ π‘ π‘’π‘’π‘˜π‘  π‘‘π‘œ 𝑑𝑒𝑙𝑣𝑒 π‘‘π‘’π‘’π‘π‘’π‘Ÿ π‘–π‘›π‘‘π‘œ πΎπ‘œπ‘‘π’½π‘Žπ‘Ÿπ‘–'𝑠 π‘π‘Ÿπ‘’π‘Žπ‘‘π‘–π‘£π‘’ π‘π‘Ÿπ‘œπ‘π‘’π‘ π‘  π‘Žπ‘›π‘‘ 𝑒π‘₯π‘Žπ‘šπ‘–π‘›π‘’ 𝑑𝒽𝑒 π‘‘π’½π‘’π‘šπ‘’π‘  π‘Žπ‘›π‘‘ π‘‘π‘’π‘π’½π‘›π‘–π‘žπ‘’π‘’π‘  π‘‘π’½π‘Žπ‘‘ 𝑑𝑒𝑓𝑖𝑛𝑒 𝒽𝑖𝑠 π‘€π‘Ÿπ‘–π‘‘π‘–π‘›π‘” 𝑠𝑑𝑦𝑙𝑒, π‘Žπ‘  𝑀𝑒𝑙𝑙 π‘Žπ‘  𝑒π‘₯π‘π‘™π‘œπ‘Ÿπ‘’ 𝑑𝒽𝑒 π‘–π‘šπ‘π‘™π‘–π‘π‘Žπ‘‘π‘–π‘œπ‘›π‘  π‘œπ‘“ 𝒽𝑖𝑠 π‘€π‘œπ‘Ÿπ‘˜ π‘œπ‘› 𝑑𝒽𝑒 π‘π‘Ÿπ‘œπ‘Žπ‘‘π‘’π‘Ÿ π‘™π‘–π‘‘π‘’π‘Ÿπ‘Žπ‘Ÿπ‘¦ π‘™π‘Žπ‘›π‘‘π‘ π‘π‘Žπ‘π‘’.
𝐴𝑑 𝑑𝒽𝑒 π’½π‘’π‘Žπ‘Ÿπ‘‘ π‘œπ‘“ πΎπ‘œπ‘‘π’½π‘Žπ‘Ÿπ‘–'𝑠 π‘™π‘–π‘‘π‘’π‘Ÿπ‘Žπ‘Ÿπ‘¦ π‘€π‘œπ‘Ÿπ‘˜ 𝑙𝑖𝑒𝑠 π‘Ž π‘˜π‘’π‘’π‘› π‘’π‘›π‘‘π‘’π‘Ÿπ‘ π‘‘π‘Žπ‘›π‘‘π‘–π‘›π‘” π‘œπ‘“ 𝑑𝒽𝑒 π’½π‘’π‘šπ‘Žπ‘› 𝑒π‘₯π‘π‘’π‘Ÿπ‘–π‘’π‘›π‘π‘’, π‘Žπ‘  𝑒𝑣𝑖𝑑𝑒𝑛𝑐𝑒𝑑 𝑏𝑦 𝑑𝒽𝑒 π‘π‘œπ‘šπ‘π‘’π‘™π‘™π‘–π‘›π‘” π‘π’½π‘Žπ‘Ÿπ‘Žπ‘π‘‘π‘’π‘Ÿπ‘  π‘Žπ‘›π‘‘ π‘’π‘šπ‘œπ‘‘π‘–π‘œπ‘›π‘Žπ‘™ 𝑑𝑒𝑝𝑑𝒽 π‘“π‘œπ‘’π‘›π‘‘ 𝑖𝑛 𝒽𝑖𝑠 π‘ π‘‘π‘œπ‘Ÿπ‘–π‘’π‘ . 𝐼𝑛 𝑅𝑒́, π‘Ž π½π‘œπ‘’π‘Ÿπ‘›π‘’π‘¦, πΎπ‘œπ‘‘π’½π‘Žπ‘Ÿπ‘– π‘–π‘›π‘‘π‘Ÿπ‘œπ‘‘π‘’π‘π‘’π‘  π‘Ÿπ‘’π‘Žπ‘‘π‘’π‘Ÿπ‘  π‘‘π‘œ 𝑀𝑖𝑛𝑧𝒽𝑒́ π‘Žπ‘›π‘‘ π‘€π‘Žπ‘‘π‘’π‘Ÿπ‘–π‘‘π‘’Μ, π‘‘π‘€π‘œ π‘–π‘›π‘‘π‘–π‘£π‘–π‘‘π‘’π‘Žπ‘™π‘  π‘€π’½π‘œπ‘ π‘’ 𝑙𝑖𝑣𝑒𝑠 π‘–π‘›π‘‘π‘’π‘Ÿπ‘ π‘’π‘π‘‘ 𝑖𝑛 π‘Ž π‘‘π‘Žπ‘™π‘’ π‘œπ‘“ π‘™π‘œπ‘£π‘’, π‘™π‘œπ‘ π‘ , π’½π‘œπ‘π‘’, π‘Žπ‘›π‘‘ π‘“π‘Žπ‘–π‘‘π’½. 𝐡𝑦 𝑖𝑛𝑓𝑒𝑠𝑖𝑛𝑔 𝒽𝑖𝑠 π‘π’½π‘Žπ‘Ÿπ‘Žπ‘π‘‘π‘’π‘Ÿπ‘  𝑀𝑖𝑑𝒽 𝑔𝑒𝑛𝑒𝑖𝑛𝑒 π‘’π‘šπ‘œπ‘‘π‘–π‘œπ‘› π‘Žπ‘›π‘‘ π‘π‘œπ‘šπ‘π‘™π‘’π‘₯𝑖𝑑𝑦, πΎπ‘œπ‘‘π’½π‘Žπ‘Ÿπ‘– 𝑖𝑛𝑣𝑖𝑑𝑒𝑠 π‘Ÿπ‘’π‘Žπ‘‘π‘’π‘Ÿπ‘  π‘‘π‘œ π‘π‘œπ‘›π‘›π‘’π‘π‘‘ 𝑀𝑖𝑑𝒽 π‘‘π’½π‘’π‘š π‘œπ‘› π‘Ž π‘π‘Ÿπ‘œπ‘“π‘œπ‘’π‘›π‘‘ 𝑙𝑒𝑣𝑒𝑙, 𝑑𝒽𝑒𝑠 π‘–π‘šπ‘šπ‘’π‘Ÿπ‘ π‘–π‘›π‘” π‘‘π’½π‘’π‘š 𝑖𝑛 𝑑𝒽𝑒 π‘›π‘Žπ‘Ÿπ‘Ÿπ‘Žπ‘‘π‘–π‘£π‘’.𝑂𝑛𝑒 π‘œπ‘“ 𝑑𝒽𝑒 π‘šπ‘œπ‘ π‘‘ π‘ π‘‘π‘Ÿπ‘–π‘˜π‘–π‘›π‘” π‘Žπ‘ π‘π‘’π‘π‘‘π‘  π‘œπ‘“ πΎπ‘œπ‘‘π’½π‘Žπ‘Ÿπ‘–'𝑠 π‘€π‘œπ‘Ÿπ‘˜ 𝑖𝑠 𝒽𝑖𝑠 π‘ π‘’π‘Žπ‘šπ‘™π‘’π‘ π‘  𝑏𝑙𝑒𝑛𝑑𝑖𝑛𝑔 π‘œπ‘“ π’½π‘–π‘ π‘‘π‘œπ‘Ÿπ‘¦, π‘π’½π‘–π‘™π‘œπ‘ π‘œπ‘π’½π‘¦, π‘Žπ‘›π‘‘ π‘π‘œπ‘›π‘‘π‘’π‘šπ‘π‘œπ‘Ÿπ‘Žπ‘Ÿπ‘¦ π‘‘π’½π‘’π‘šπ‘’π‘ . 𝐼𝑛 𝑅𝑒́, π‘Ž π½π‘œπ‘’π‘Ÿπ‘›π‘’π‘¦, 𝒽𝑒 𝑠𝑒𝑏𝑑𝑙𝑦 π‘–π‘›π‘π‘œπ‘Ÿπ‘π‘œπ‘Ÿπ‘Žπ‘‘π‘’π‘  π‘’π‘™π‘’π‘šπ‘’π‘›π‘‘π‘  π‘œπ‘“ πΈπ‘”π‘¦π‘π‘‘π‘–π‘Žπ‘› π’½π‘–π‘ π‘‘π‘œπ‘Ÿπ‘¦ π‘Žπ‘›π‘‘ π‘šπ‘¦π‘‘π’½π‘œπ‘™π‘œπ‘”π‘¦, π‘’π‘›π‘Ÿπ‘–π‘π’½π‘–π‘›π‘” 𝑑𝒽𝑒 π‘›π‘Žπ‘Ÿπ‘Ÿπ‘Žπ‘‘π‘–π‘£π‘’ 𝑀𝑖𝑑𝒽 π‘Žπ‘› π‘Žπ‘‘π‘‘π‘–π‘‘π‘–π‘œπ‘›π‘Žπ‘™ π‘™π‘Žπ‘¦π‘’π‘Ÿ π‘œπ‘“ 𝑑𝑒𝑝𝑑𝒽 π‘Žπ‘›π‘‘ π‘–π‘›π‘‘π‘Ÿπ‘–π‘”π‘’π‘’. 𝑇𝒽𝑖𝑠 π‘“π‘’π‘ π‘–π‘œπ‘› π‘œπ‘“ π‘π‘Žπ‘ π‘‘ π‘Žπ‘›π‘‘ π‘π‘Ÿπ‘’π‘ π‘’π‘›π‘‘ 𝑖𝑠 π‘Ž π‘‘π‘’π‘ π‘‘π‘Žπ‘šπ‘’π‘›π‘‘ π‘‘π‘œ πΎπ‘œπ‘‘π’½π‘Žπ‘Ÿπ‘–'𝑠 π‘ π‘˜π‘–π‘™π‘™ π‘Žπ‘  π‘Ž π‘€π‘Ÿπ‘–π‘‘π‘’π‘Ÿ π‘Žπ‘›π‘‘ 𝒽𝑖𝑠 π‘Žπ‘π‘–π‘™π‘–π‘‘π‘¦ π‘‘π‘œ 𝑠𝑦𝑛𝑑𝒽𝑒𝑠𝑖𝑧𝑒 π‘ π‘’π‘’π‘šπ‘–π‘›π‘”π‘™π‘¦ π‘‘π‘–π‘ π‘π‘Žπ‘Ÿπ‘Žπ‘‘π‘’ π‘’π‘™π‘’π‘šπ‘’π‘›π‘‘π‘  π‘–π‘›π‘‘π‘œ π‘Ž π’½π‘Žπ‘Ÿπ‘šπ‘œπ‘›π‘–π‘œπ‘’π‘  π‘€π’½π‘œπ‘™π‘’.𝐼𝑛 π‘Žπ‘‘π‘‘π‘–π‘‘π‘–π‘œπ‘› π‘‘π‘œ 𝒽𝑖𝑠 π‘ π‘˜π‘–π‘™π‘™π‘“π‘’π‘™ 𝑏𝑙𝑒𝑛𝑑𝑖𝑛𝑔 π‘œπ‘“ π‘‘π’½π‘’π‘šπ‘’π‘ , πΎπ‘œπ‘‘π’½π‘Žπ‘Ÿπ‘–'𝑠 π‘€π‘Ÿπ‘–π‘‘π‘–π‘›π‘” 𝑠𝑑𝑦𝑙𝑒 π’½π‘Žπ‘  𝑏𝑒𝑒𝑛 π‘π‘Ÿπ‘Žπ‘–π‘ π‘’π‘‘ π‘“π‘œπ‘Ÿ 𝑖𝑑𝑠 π‘™π‘¦π‘Ÿπ‘–π‘π‘–π‘ π‘š π‘Žπ‘›π‘‘ π‘π‘™π‘Žπ‘Ÿπ‘–π‘‘π‘¦. 𝐻𝑖𝑠 π‘π‘Ÿπ‘œπ‘ π‘’ 𝑖𝑠 π‘Žπ‘‘ π‘œπ‘›π‘π‘’ π‘’π‘™π‘’π‘”π‘Žπ‘›π‘‘ π‘Žπ‘›π‘‘ π‘Žπ‘π‘π‘’π‘ π‘ π‘–π‘π‘™π‘’, π‘šπ‘Žπ‘˜π‘–π‘›π‘” 𝒽𝑖𝑠 π‘€π‘œπ‘Ÿπ‘˜ π‘’π‘›π‘—π‘œπ‘¦π‘Žπ‘π‘™π‘’ π‘“π‘œπ‘Ÿ π‘Ÿπ‘’π‘Žπ‘‘π‘’π‘Ÿπ‘  π‘œπ‘“ π‘Žπ‘™π‘™ π‘π‘Žπ‘π‘˜π‘”π‘Ÿπ‘œπ‘’π‘›π‘‘π‘  π‘Žπ‘›π‘‘ π‘–π‘›π‘‘π‘’π‘Ÿπ‘’π‘ π‘‘π‘ . 𝑇𝒽𝑒 𝑣𝑖𝑣𝑖𝑑 π‘™π‘Žπ‘›π‘”π‘’π‘Žπ‘”π‘’ π‘Žπ‘›π‘‘ π‘–π‘šπ‘Žπ‘”π‘’π‘Ÿπ‘¦ 𝑖𝑛 𝒽𝑖𝑠 π‘€π‘Ÿπ‘–π‘‘π‘–π‘›π‘” π‘π‘Ÿπ‘–π‘›π‘” 𝒽𝑖𝑠 π‘ π‘‘π‘œπ‘Ÿπ‘–π‘’π‘  π‘‘π‘œ 𝑙𝑖𝑓𝑒, π‘“π‘’π‘Ÿπ‘‘π’½π‘’π‘Ÿ π‘’π‘›π‘£π‘’π‘™π‘œπ‘π‘–π‘›π‘” π‘Ÿπ‘’π‘Žπ‘‘π‘’π‘Ÿπ‘  𝑖𝑛 𝑑𝒽𝑒 π‘€π‘œπ‘Ÿπ‘™π‘‘π‘  𝒽𝑒 π‘π‘Ÿπ‘’π‘Žπ‘‘π‘’π‘ . 𝑇𝒽𝑖𝑠 π‘™π‘¦π‘Ÿπ‘–π‘π‘Žπ‘™ π‘žπ‘’π‘Žπ‘™π‘–π‘‘π‘¦ 𝑠𝑒𝑑𝑠 πΎπ‘œπ‘‘π’½π‘Žπ‘Ÿπ‘– π‘Žπ‘π‘Žπ‘Ÿπ‘‘ π‘“π‘Ÿπ‘œπ‘š π‘šπ‘Žπ‘›π‘¦ π‘œπ‘“ 𝒽𝑖𝑠 π‘π‘œπ‘›π‘‘π‘’π‘šπ‘π‘œπ‘Ÿπ‘Žπ‘Ÿπ‘–π‘’π‘  π‘Žπ‘›π‘‘ π‘π‘œπ‘›π‘‘π‘Ÿπ‘–π‘π‘’π‘‘π‘’π‘  π‘‘π‘œ 𝑑𝒽𝑒 π‘™π‘Žπ‘ π‘‘π‘–π‘›π‘” π‘–π‘šπ‘π‘Žπ‘π‘‘ π‘œπ‘“ 𝒽𝑖𝑠 π‘€π‘œπ‘Ÿπ‘˜.πΎπ‘œπ‘‘π’½π‘Žπ‘Ÿπ‘–'𝑠 π‘™π‘–π‘‘π‘’π‘Ÿπ‘Žπ‘Ÿπ‘¦ π‘Žπ‘π‘π‘œπ‘šπ‘π‘™π‘–π‘ π’½π‘šπ‘’π‘›π‘‘π‘  π‘Žπ‘Ÿπ‘’ π‘›π‘œπ‘‘ π‘™π‘–π‘šπ‘–π‘‘π‘’π‘‘ π‘‘π‘œ 𝒽𝑖𝑠 π‘“π‘–π‘π‘‘π‘–π‘œπ‘› π‘€π‘Ÿπ‘–π‘‘π‘–π‘›π‘”, π‘Žπ‘  𝒽𝑒 π’½π‘Žπ‘  π‘Žπ‘™π‘ π‘œ π‘‘π‘’π‘šπ‘œπ‘›π‘ π‘‘π‘Ÿπ‘Žπ‘‘π‘’π‘‘ π‘Ž π‘ π‘‘π‘Ÿπ‘œπ‘›π‘” π‘Žπ‘π‘‘π‘–π‘‘π‘’π‘‘π‘’ π‘“π‘œπ‘Ÿ π‘Žπ‘›π‘Žπ‘™π‘¦π‘‘π‘–π‘π‘Žπ‘™ π‘Žπ‘›π‘‘ π‘π‘Ÿπ‘–π‘‘π‘–π‘π‘Žπ‘™ π‘‘π’½π‘–π‘›π‘˜π‘–π‘›π‘” 𝑖𝑛 𝒽𝑖𝑠 π‘›π‘œπ‘›-π‘“π‘–π‘π‘‘π‘–π‘œπ‘› π‘€π‘œπ‘Ÿπ‘˜. 𝑇𝒽𝑖𝑠 π‘£π‘’π‘Ÿπ‘ π‘Žπ‘‘π‘–π‘™π‘–π‘‘π‘¦ π‘“π‘’π‘Ÿπ‘‘π’½π‘’π‘Ÿ 𝒽𝑖𝑔𝒽𝑙𝑖𝑔𝒽𝑑𝑠 𝒽𝑖𝑠 π‘π‘Ÿπ‘œπ‘€π‘’π‘ π‘  π‘Žπ‘  π‘Ž π‘€π‘Ÿπ‘–π‘‘π‘’π‘Ÿ π‘Žπ‘›π‘‘ π‘‘π’½π‘–π‘›π‘˜π‘’π‘Ÿ, π‘Žπ‘›π‘‘ π‘ π’½π‘œπ‘€π‘π‘Žπ‘ π‘’π‘  𝒽𝑖𝑠 π‘Žπ‘π‘–π‘™π‘–π‘‘π‘¦ π‘‘π‘œ π‘’π‘›π‘”π‘Žπ‘”π‘’ 𝑀𝑖𝑑𝒽 π‘‘π‘–π‘£π‘’π‘Ÿπ‘ π‘’ 𝑠𝑒𝑏𝑗𝑒𝑐𝑑𝑠 π‘Žπ‘›π‘‘ π‘–π‘‘π‘’π‘Žπ‘ .𝑇𝒽𝑒 π‘ π‘–π‘”π‘›π‘–π‘“π‘–π‘π‘Žπ‘›π‘π‘’ π‘œπ‘“ πΎπ‘œπ‘‘π’½π‘Žπ‘Ÿπ‘–'𝑠 π‘™π‘–π‘‘π‘’π‘Ÿπ‘Žπ‘Ÿπ‘¦ π‘€π‘œπ‘Ÿπ‘˜ 𝑒π‘₯𝑑𝑒𝑛𝑑𝑠 π‘π‘’π‘¦π‘œπ‘›π‘‘ 𝑖𝑑𝑠 π‘’π‘›π‘‘π‘’π‘Ÿπ‘‘π‘Žπ‘–π‘›π‘šπ‘’π‘›π‘‘ π‘£π‘Žπ‘™π‘’π‘’, π‘Žπ‘  𝑖𝑑 π‘Žπ‘™π‘ π‘œ π‘π’½π‘Žπ‘™π‘™π‘’π‘›π‘”π‘’π‘  π‘Ÿπ‘’π‘Žπ‘‘π‘’π‘Ÿπ‘  π‘‘π‘œ π‘π‘œπ‘›π‘‘π‘’π‘šπ‘π‘™π‘Žπ‘‘π‘’ π‘π‘œπ‘šπ‘π‘™π‘’π‘₯ 𝑖𝑠𝑠𝑒𝑒𝑠 π‘Žπ‘›π‘‘ π‘’π‘›π‘”π‘Žπ‘”π‘’ 𝑖𝑛 π‘–π‘›π‘‘π‘’π‘™π‘™π‘’π‘π‘‘π‘’π‘Žπ‘™ π‘‘π‘–π‘ π‘π‘œπ‘’π‘Ÿπ‘ π‘’. 𝐻𝑖𝑠 𝑒π‘₯π‘π‘™π‘œπ‘Ÿπ‘Žπ‘‘π‘–π‘œπ‘› π‘œπ‘“ π‘‘π’½π‘’π‘šπ‘’π‘  𝑠𝑒𝑐𝒽 π‘Žπ‘  π‘™π‘œπ‘£π‘’, π‘™π‘œπ‘ π‘ , π‘Žπ‘›π‘‘ π‘“π‘Žπ‘–π‘‘π’½ π‘π‘Ÿπ‘œπ‘šπ‘π‘‘π‘  π‘Ÿπ‘’π‘“π‘™π‘’π‘π‘‘π‘–π‘œπ‘› π‘Žπ‘›π‘‘ π‘‘π‘–π‘ π‘π‘’π‘ π‘ π‘–π‘œπ‘›, π‘“π‘œπ‘ π‘‘π‘’π‘Ÿπ‘–π‘›π‘” π‘Ž π‘‘π‘’π‘’π‘π‘’π‘Ÿ π‘’π‘›π‘‘π‘’π‘Ÿπ‘ π‘‘π‘Žπ‘›π‘‘π‘–π‘›π‘” π‘œπ‘“ 𝑑𝒽𝑒 π’½π‘’π‘šπ‘Žπ‘› 𝑒π‘₯π‘π‘’π‘Ÿπ‘–π‘’π‘›π‘π‘’. 𝐴𝑠 π‘Ž π‘Ÿπ‘’π‘ π‘’π‘™π‘‘, πΎπ‘œπ‘‘π’½π‘Žπ‘Ÿπ‘–'𝑠 π‘€π‘œπ‘Ÿπ‘˜ π’½π‘œπ‘™π‘‘π‘  𝑑𝒽𝑒 π‘π‘œπ‘‘π‘’π‘›π‘‘π‘–π‘Žπ‘™ π‘‘π‘œ 𝑖𝑛𝑓𝑙𝑒𝑒𝑛𝑐𝑒 π‘›π‘œπ‘‘ π‘œπ‘›π‘™π‘¦ 𝑑𝒽𝑒 π‘™π‘–π‘‘π‘’π‘Ÿπ‘Žπ‘Ÿπ‘¦ π‘™π‘Žπ‘›π‘‘π‘ π‘π‘Žπ‘π‘’ 𝑏𝑒𝑑 π‘Žπ‘™π‘ π‘œ 𝑑𝒽𝑒 π‘π‘Ÿπ‘œπ‘Žπ‘‘π‘’π‘Ÿ π‘π‘’π‘™π‘‘π‘’π‘Ÿπ‘Žπ‘™ π‘π‘œπ‘›π‘£π‘’π‘Ÿπ‘ π‘Žπ‘‘π‘–π‘œπ‘›.𝑺𝒑𝒂𝒓𝒔𝒉 π‘²π’π’•π’‰π’‚π’“π’Š'𝒔 π‘™π‘–π‘‘π‘’π‘Ÿπ‘Žπ‘Ÿπ‘¦ π‘€π‘œπ‘Ÿπ‘˜ π‘Ÿπ‘’π‘π‘Ÿπ‘’π‘ π‘’π‘›π‘‘π‘  π‘Ž π‘’π‘›π‘–π‘žπ‘’π‘’ π‘Žπ‘›π‘‘ π‘π‘œπ‘šπ‘π‘’π‘™π‘™π‘–π‘›π‘” 𝑠𝑦𝑛𝑑𝒽𝑒𝑠𝑖𝑠 π‘œπ‘“ π‘ π‘‘π‘œπ‘Ÿπ‘¦π‘‘π‘’π‘™π‘™π‘–π‘›π‘”, π‘‘π’½π‘’π‘šπ‘Žπ‘‘π‘–π‘ 𝑒π‘₯π‘π‘™π‘œπ‘Ÿπ‘Žπ‘‘π‘–π‘œπ‘›, π‘Žπ‘›π‘‘ π‘™π‘¦π‘Ÿπ‘–π‘π‘Žπ‘™ π‘π‘Ÿπ‘œπ‘ π‘’. 𝐻𝑖𝑠 π‘Žπ‘π‘–π‘™π‘–π‘‘π‘¦ π‘‘π‘œ π‘π‘Ÿπ‘’π‘Žπ‘‘π‘’ π‘’π‘›π‘”π‘Žπ‘”π‘–π‘›π‘” π‘Žπ‘›π‘‘ π‘‘π’½π‘œπ‘’π‘”π’½π‘‘-π‘π‘Ÿπ‘œπ‘£π‘œπ‘˜π‘–π‘›π‘” π‘›π‘Žπ‘Ÿπ‘Ÿπ‘Žπ‘‘π‘–π‘£π‘’π‘ , π‘Žπ‘  𝑀𝑒𝑙𝑙 π‘Žπ‘  𝒽𝑖𝑠 π‘π‘œπ‘šπ‘šπ‘–π‘‘π‘šπ‘’π‘›π‘‘ π‘‘π‘œ π‘™π‘–π‘‘π‘’π‘Ÿπ‘Žπ‘Ÿπ‘¦ π‘Žπ‘›π‘‘ π‘π‘’π‘Ÿπ‘ π‘œπ‘›π‘Žπ‘™ π‘šπ‘’π‘›π‘‘π‘œπ‘Ÿπ‘ π’½π‘–π‘, π‘π‘œπ‘ π‘–π‘‘π‘–π‘œπ‘›π‘  π’½π‘–π‘š π‘Žπ‘  π‘Ž π‘Ÿπ‘–π‘ π‘–π‘›π‘” π‘ π‘‘π‘Žπ‘Ÿ 𝑖𝑛 𝑑𝒽𝑒 π‘™π‘–π‘‘π‘’π‘Ÿπ‘Žπ‘Ÿπ‘¦ π‘€π‘œπ‘Ÿπ‘™π‘‘. 𝐴𝑠 πΎπ‘œπ‘‘π’½π‘Žπ‘Ÿπ‘– π‘π‘œπ‘›π‘‘π‘–π‘›π‘’π‘’π‘  π‘‘π‘œ π‘‘π‘’π‘£π‘’π‘™π‘œπ‘ 𝒽𝑖𝑠 π‘π‘Ÿπ‘Žπ‘“π‘‘ π‘Žπ‘›π‘‘ 𝑒π‘₯π‘π‘Žπ‘›π‘‘ 𝒽𝑖𝑠 π‘π‘œπ‘‘π‘¦ π‘œπ‘“ π‘€π‘œπ‘Ÿπ‘˜, π‘‘π’½π‘’π‘Ÿπ‘’ 𝑖𝑠 𝑙𝑖𝑑𝑑𝑙𝑒 π‘‘π‘œπ‘’π‘π‘‘ π‘‘π’½π‘Žπ‘‘ 𝒽𝑖𝑠 𝑖𝑛𝑓𝑙𝑒𝑒𝑛𝑐𝑒 𝑀𝑖𝑙𝑙 π‘π‘œπ‘›π‘‘π‘–π‘›π‘’π‘’ π‘‘π‘œ π‘”π‘Ÿπ‘œπ‘€, π‘™π‘’π‘Žπ‘£π‘–π‘›π‘” π‘Ž π‘™π‘Žπ‘ π‘‘π‘–π‘›π‘” π‘–π‘šπ‘π‘Žπ‘π‘‘ π‘œπ‘› π‘™π‘–π‘‘π‘’π‘Ÿπ‘Žπ‘‘π‘’π‘Ÿπ‘’ π‘Žπ‘›π‘‘ 𝑑𝒽𝑒 𝑙𝑖𝑣𝑒𝑠 π‘œπ‘“ π‘‘π’½π‘œπ‘ π‘’ π‘€π’½π‘œ π‘’π‘›π‘”π‘Žπ‘”π‘’ 𝑀𝑖𝑑𝒽 𝒽𝑖𝑠 π‘€π‘Ÿπ‘–π‘‘π‘–π‘›π‘”.”
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β€œπ‘‚π‘›π‘π‘’ π‘’π‘π‘œπ‘› π‘Ž π‘‘π‘–π‘šπ‘’, 𝑖𝑛 π‘Ž π‘€π‘œπ‘Ÿπ‘™π‘‘ π‘π‘Ÿπ‘–π‘šπ‘šπ‘–π‘›π‘” 𝑀𝑖𝑑𝒽 π‘ π‘‘π‘œπ‘Ÿπ‘–π‘’π‘  π‘Žπ‘›π‘‘ π‘π’½π‘Žπ‘Ÿπ‘Žπ‘π‘‘π‘’π‘Ÿπ‘ , π‘Ž π‘¦π‘œπ‘’π‘›π‘” π‘€π‘Ÿπ‘–π‘‘π‘’π‘Ÿ π‘›π‘Žπ‘šπ‘’π‘‘ 𝑺𝒑𝒂𝒓𝒔𝒉 π‘²π’π’•π’‰π’‚π’“π’Š π‘’π‘šπ‘π‘Žπ‘Ÿπ‘˜π‘’π‘‘ π‘œπ‘› π‘Ž π‘™π‘–π‘‘π‘’π‘Ÿπ‘Žπ‘Ÿπ‘¦ π‘—π‘œπ‘’π‘Ÿπ‘›π‘’π‘¦ π‘‘π’½π‘Žπ‘‘ π‘€π‘œπ‘’π‘™π‘‘ π‘π’½π‘Žπ‘›π‘”π‘’ 𝒽𝑖𝑠 𝑙𝑖𝑓𝑒 π‘Žπ‘›π‘‘ 𝑑𝒽𝑒 𝑙𝑖𝑣𝑒𝑠 π‘œπ‘“ π‘π‘œπ‘’π‘›π‘‘π‘™π‘’π‘ π‘  π‘œπ‘‘π’½π‘’π‘Ÿπ‘ . 𝐼𝑑 π‘€π‘Žπ‘  π‘Ž π‘—π‘œπ‘’π‘Ÿπ‘›π‘’π‘¦ π‘‘π’½π‘Žπ‘‘ π‘€π‘œπ‘’π‘™π‘‘ 𝑠𝑒𝑒 π’½π‘–π‘š π‘›π‘Žπ‘£π‘–π‘”π‘Žπ‘‘π‘’ 𝑑𝒽𝑒 π‘π‘œπ‘šπ‘π‘™π‘’π‘₯𝑖𝑑𝑖𝑒𝑠 π‘œπ‘“ 𝑑𝒽𝑒 π’½π‘’π‘šπ‘Žπ‘› 𝑒π‘₯π‘π‘’π‘Ÿπ‘–π‘’π‘›π‘π‘’, 𝑑𝑒𝑙𝑣𝑒 π‘–π‘›π‘‘π‘œ 𝑑𝒽𝑒 π‘Ÿπ‘’π‘Žπ‘™π‘šπ‘  π‘œπ‘“ π’½π‘–π‘ π‘‘π‘œπ‘Ÿπ‘¦ π‘Žπ‘›π‘‘ π‘π’½π‘–π‘™π‘œπ‘ π‘œπ‘π’½π‘¦, π‘Žπ‘›π‘‘ π‘’π‘™π‘‘π‘–π‘šπ‘Žπ‘‘π‘’π‘™π‘¦ π‘’π‘šπ‘’π‘Ÿπ‘”π‘’ π‘Žπ‘  π‘Ž 𝑠𝒽𝑖𝑛𝑖𝑛𝑔 π‘ π‘‘π‘Žπ‘Ÿ 𝑖𝑛 𝑑𝒽𝑒 π‘™π‘–π‘‘π‘’π‘Ÿπ‘Žπ‘Ÿπ‘¦ π‘™π‘Žπ‘›π‘‘π‘ π‘π‘Žπ‘π‘’.
πΉπ‘Ÿπ‘œπ‘š π‘Žπ‘› π‘’π‘Žπ‘Ÿπ‘™π‘¦ π‘Žπ‘”π‘’, π‘†π‘π‘Žπ‘Ÿπ‘ π’½ π‘˜π‘›π‘’π‘€ 𝒽𝑒 π’½π‘Žπ‘‘ π‘Ž 𝑔𝑖𝑓𝑑 π‘“π‘œπ‘Ÿ π‘ π‘‘π‘œπ‘Ÿπ‘¦π‘‘π‘’π‘™π‘™π‘–π‘›π‘”. 𝐻𝑒 π‘π‘œπ‘’π‘™π‘‘ π‘€π‘’π‘Žπ‘£π‘’ π‘‘π‘Žπ‘™π‘’π‘  π‘‘π’½π‘Žπ‘‘ π‘π‘Žπ‘π‘‘π‘’π‘Ÿπ‘’π‘‘ 𝑑𝒽𝑒 π‘–π‘šπ‘Žπ‘”π‘–π‘›π‘Žπ‘‘π‘–π‘œπ‘› π‘œπ‘“ 𝒽𝑖𝑠 π‘™π‘–π‘ π‘‘π‘’π‘›π‘’π‘Ÿπ‘ , π‘‘π‘Ÿπ‘Žπ‘›π‘ π‘π‘œπ‘Ÿπ‘‘π‘–π‘›π‘” π‘‘π’½π‘’π‘š π‘‘π‘œ π‘€π‘œπ‘Ÿπ‘™π‘‘π‘  π‘œπ‘“ π‘€π‘œπ‘›π‘‘π‘’π‘Ÿ π‘Žπ‘›π‘‘ π‘’π‘›π‘π’½π‘Žπ‘›π‘‘π‘šπ‘’π‘›π‘‘. 𝐴𝑠 𝒽𝑒 π‘”π‘Ÿπ‘’π‘€ π‘œπ‘™π‘‘π‘’π‘Ÿ, 𝒽𝑒 π’½π‘œπ‘›π‘’π‘‘ 𝒽𝑖𝑠 π‘π‘Ÿπ‘Žπ‘“π‘‘, 𝑒π‘₯π‘π‘’π‘Ÿπ‘–π‘šπ‘’π‘›π‘‘π‘–π‘›π‘” 𝑀𝑖𝑑𝒽 π‘‘π‘–π‘“π‘“π‘’π‘Ÿπ‘’π‘›π‘‘ π‘“π‘œπ‘Ÿπ‘šπ‘  π‘Žπ‘›π‘‘ 𝑠𝑑𝑦𝑙𝑒𝑠, π‘Žπ‘™π‘€π‘Žπ‘¦π‘  π‘ π‘’π‘’π‘˜π‘–π‘›π‘” π‘‘π‘œ 𝑝𝑒𝑠𝒽 𝑑𝒽𝑒 π‘π‘œπ‘’π‘›π‘‘π‘Žπ‘Ÿπ‘–π‘’π‘  π‘œπ‘“ 𝒽𝑖𝑠 π‘π‘Ÿπ‘’π‘Žπ‘‘π‘–π‘£π‘–π‘‘π‘¦. 𝐴𝑛𝑑 𝑀𝑖𝑑𝒽 π‘’π‘Žπ‘π’½ 𝑛𝑒𝑀 π‘π‘Ÿπ‘œπ‘—π‘’π‘π‘‘, 𝒽𝑖𝑠 π‘‘π‘’π‘‘π‘–π‘π‘Žπ‘‘π‘–π‘œπ‘› π‘‘π‘œ 𝒽𝑖𝑠 π‘Žπ‘Ÿπ‘‘ π‘”π‘Ÿπ‘’π‘€ π‘ π‘‘π‘Ÿπ‘œπ‘›π‘”π‘’π‘Ÿ, 𝑓𝑒𝑒𝑙𝑒𝑑 𝑏𝑦 π‘Ž π‘π‘’π‘Ÿπ‘›π‘–π‘›π‘” π‘π‘Žπ‘ π‘ π‘–π‘œπ‘› π‘“π‘œπ‘Ÿ 𝑑𝒽𝑒 π‘€π‘Ÿπ‘–π‘‘π‘‘π‘’π‘› π‘€π‘œπ‘Ÿπ‘‘.𝐼𝑛 𝑑𝒽𝑒 π’½π‘’π‘Žπ‘Ÿπ‘‘ π‘œπ‘“ 𝒽𝑖𝑠 π‘™π‘–π‘‘π‘’π‘Ÿπ‘Žπ‘Ÿπ‘¦ π‘€π‘œπ‘Ÿπ‘˜ π‘™π‘Žπ‘¦ 𝑅𝑒́, π‘Ž π½π‘œπ‘’π‘Ÿπ‘›π‘’π‘¦, π‘Žπ‘› 𝑒𝑝𝑖𝑐 π‘›π‘œπ‘£π‘’π‘™ π‘‘π’½π‘Žπ‘‘ π‘€π‘œπ‘’π‘™π‘‘ π‘π‘’π‘π‘œπ‘šπ‘’ π‘Ž π‘‘π‘’π‘ π‘‘π‘Žπ‘šπ‘’π‘›π‘‘ π‘‘π‘œ 𝒽𝑖𝑠 π‘‘π‘Žπ‘™π‘’π‘›π‘‘ π‘Žπ‘›π‘‘ π‘£π‘–π‘ π‘–π‘œπ‘›. 𝐴𝑠 𝑑𝒽𝑒 π‘‘π‘Žπ‘™π‘’ π‘œπ‘“ 𝑀𝑖𝑛𝑧𝒽𝑒́ π‘Žπ‘›π‘‘ π‘€π‘Žπ‘‘π‘’π‘Ÿπ‘–π‘‘π‘’Μ π‘’π‘›π‘“π‘œπ‘™π‘‘π‘’π‘‘, π‘Ÿπ‘’π‘Žπ‘‘π‘’π‘Ÿπ‘  π‘€π‘’π‘Ÿπ‘’ π‘π‘Žπ‘π‘‘π‘–π‘£π‘Žπ‘‘π‘’π‘‘ 𝑏𝑦 𝑑𝒽𝑒 π‘–π‘›π‘‘π‘Ÿπ‘–π‘π‘Žπ‘‘π‘’ π‘‘π‘Žπ‘π‘’π‘ π‘‘π‘Ÿπ‘¦ π‘œπ‘“ π‘’π‘šπ‘œπ‘‘π‘–π‘œπ‘›π‘ , π’½π‘–π‘ π‘‘π‘œπ‘Ÿπ‘–π‘’π‘ , π‘Žπ‘›π‘‘ π‘π’½π‘–π‘™π‘œπ‘ π‘œπ‘π’½π‘–π‘π‘Žπ‘™ π‘šπ‘’π‘ π‘–π‘›π‘”π‘  π‘‘π’½π‘Žπ‘‘ π‘†π‘π‘Žπ‘Ÿπ‘ π’½ π‘€π‘œπ‘£π‘’ π‘–π‘›π‘‘π‘œ 𝑑𝒽𝑒 π‘›π‘Žπ‘Ÿπ‘Ÿπ‘Žπ‘‘π‘–π‘£π‘’. 𝐻𝑖𝑠 π‘™π‘¦π‘Ÿπ‘–π‘π‘Žπ‘™ π‘π‘Ÿπ‘œπ‘ π‘’ π‘π‘Žπ‘–π‘›π‘‘π‘’π‘‘ 𝑣𝑖𝑣𝑖𝑑 π‘–π‘šπ‘Žπ‘”π‘’π‘  𝑖𝑛 𝑑𝒽𝑒 π‘šπ‘–π‘›π‘‘π‘  π‘œπ‘“ π‘Ÿπ‘’π‘Žπ‘‘π‘’π‘Ÿπ‘ , 𝑀𝒽𝑖𝑙𝑒 𝑑𝒽𝑒 𝑑𝑒𝑝𝑑𝒽 π‘Žπ‘›π‘‘ π‘π‘œπ‘šπ‘π‘™π‘’π‘₯𝑖𝑑𝑦 π‘œπ‘“ 𝒽𝑖𝑠 π‘π’½π‘Žπ‘Ÿπ‘Žπ‘π‘‘π‘’π‘Ÿπ‘  𝑖𝑛𝑣𝑖𝑑𝑒𝑑 π‘‘π’½π‘’π‘š π‘‘π‘œ 𝑒π‘₯π‘π‘™π‘œπ‘Ÿπ‘’ π‘‘π’½π‘’π‘–π‘Ÿ π‘œπ‘€π‘› π‘’π‘›π‘‘π‘’π‘Ÿπ‘ π‘‘π‘Žπ‘›π‘‘π‘–π‘›π‘” π‘œπ‘“ π‘™π‘œπ‘£π‘’, π‘™π‘œπ‘ π‘ , π’½π‘œπ‘π‘’, π‘Žπ‘›π‘‘ π‘“π‘Žπ‘–π‘‘π’½.𝐴𝑠 𝑑𝒽𝑒 π‘€π‘œπ‘Ÿπ‘™π‘‘ π‘œπ‘“ 𝑅𝑒́ 𝑒π‘₯π‘π‘Žπ‘›π‘‘π‘’π‘‘, π‘ π‘œ π‘‘π‘œπ‘œ 𝑑𝑖𝑑 π‘†π‘π‘Žπ‘Ÿπ‘ π’½'𝑠 π‘Ÿπ‘’π‘π‘’π‘‘π‘Žπ‘‘π‘–π‘œπ‘› π‘Žπ‘  π‘Ž π‘€π‘Ÿπ‘–π‘‘π‘’π‘Ÿ. 𝐻𝑖𝑠 π‘’π‘›π‘–π‘žπ‘’π‘’ 𝑏𝑙𝑒𝑛𝑑 π‘œπ‘“ π‘ π‘‘π‘œπ‘Ÿπ‘¦π‘‘π‘’π‘™π‘™π‘–π‘›π‘” π‘Žπ‘›π‘‘ 𝑖𝑛𝑠𝑖𝑔𝒽𝑑𝑓𝑒𝑙 π‘π‘œπ‘šπ‘šπ‘’π‘›π‘‘π‘Žπ‘Ÿπ‘¦ π‘œπ‘› π‘π‘œπ‘›π‘‘π‘’π‘šπ‘π‘œπ‘Ÿπ‘Žπ‘Ÿπ‘¦ 𝑖𝑠𝑠𝑒𝑒𝑠 π‘Ÿπ‘’π‘ π‘œπ‘›π‘Žπ‘‘π‘’π‘‘ 𝑀𝑖𝑑𝒽 π‘Ÿπ‘’π‘Žπ‘‘π‘’π‘Ÿπ‘  π‘“π‘Ÿπ‘œπ‘š π‘Žπ‘™π‘™ π‘€π‘Žπ‘™π‘˜π‘  π‘œπ‘“ 𝑙𝑖𝑓𝑒, π‘‘π‘Ÿπ‘Žπ‘€π‘–π‘›π‘” π‘‘π’½π‘’π‘š π‘–π‘›π‘‘π‘œ 𝑑𝒽𝑒 π‘™π‘–π‘‘π‘’π‘Ÿπ‘Žπ‘Ÿπ‘¦ π‘’π‘›π‘–π‘£π‘’π‘Ÿπ‘ π‘’ 𝒽𝑒 π’½π‘Žπ‘‘ π‘π‘Ÿπ‘’π‘Žπ‘‘π‘’π‘‘. 𝐴𝑛𝑑 π‘Žπ‘  π‘šπ‘œπ‘Ÿπ‘’ π‘Žπ‘›π‘‘ π‘šπ‘œπ‘Ÿπ‘’ π‘π‘’π‘œπ‘π‘™π‘’ π‘‘π‘–π‘ π‘π‘œπ‘£π‘’π‘Ÿπ‘’π‘‘ 𝒽𝑖𝑠 π‘€π‘œπ‘Ÿπ‘˜, 𝑑𝒽𝑒𝑦 π‘‘π‘œπ‘œ π‘π‘’π‘”π‘Žπ‘› π‘‘π‘œ π‘ π’½π‘Žπ‘Ÿπ‘’ π‘‘π’½π‘’π‘–π‘Ÿ π‘œπ‘€π‘› π‘ π‘‘π‘œπ‘Ÿπ‘–π‘’π‘  – π‘ π‘‘π‘œπ‘Ÿπ‘–π‘’π‘  π‘œπ‘“ π’½π‘œπ‘€ π‘†π‘π‘Žπ‘Ÿπ‘ π’½'𝑠 π‘€π‘Ÿπ‘–π‘‘π‘–π‘›π‘” π’½π‘Žπ‘‘ π‘‘π‘œπ‘’π‘π’½π‘’π‘‘ π‘‘π’½π‘’π‘–π‘Ÿ 𝑙𝑖𝑣𝑒𝑠 π‘Žπ‘›π‘‘ π‘–π‘›π‘ π‘π‘–π‘Ÿπ‘’π‘‘ π‘‘π’½π‘’π‘š π‘‘π‘œ π‘’π‘šπ‘π‘Žπ‘Ÿπ‘˜ π‘œπ‘› π‘‘π’½π‘’π‘–π‘Ÿ π‘œπ‘€π‘› π‘—π‘œπ‘’π‘Ÿπ‘›π‘’π‘¦π‘  π‘œπ‘“ 𝑠𝑒𝑙𝑓-π‘‘π‘–π‘ π‘π‘œπ‘£π‘’π‘Ÿπ‘¦.𝐡𝑒𝑑 π‘†π‘π‘Žπ‘Ÿπ‘ π’½'𝑠 π‘—π‘œπ‘’π‘Ÿπ‘›π‘’π‘¦ π‘€π‘Žπ‘  π‘›π‘œπ‘‘ π‘€π‘–π‘‘π’½π‘œπ‘’π‘‘ 𝑖𝑑𝑠 π‘π’½π‘Žπ‘™π‘™π‘’π‘›π‘”π‘’π‘ . 𝐼𝑛 π‘Ž π‘€π‘œπ‘Ÿπ‘™π‘‘ π‘€π’½π‘’π‘Ÿπ‘’ 𝑑𝒽𝑒 π‘™π‘–π‘‘π‘’π‘Ÿπ‘Žπ‘Ÿπ‘¦ π‘™π‘Žπ‘›π‘‘π‘ π‘π‘Žπ‘π‘’ π‘€π‘Žπ‘  π‘π‘œπ‘›π‘ π‘‘π‘Žπ‘›π‘‘π‘™π‘¦ 𝑠𝒽𝑖𝑓𝑑𝑖𝑛𝑔, 𝒽𝑒 π‘˜π‘›π‘’π‘€ π‘‘π’½π‘Žπ‘‘ 𝒽𝑒 π‘šπ‘’π‘ π‘‘ π‘π‘œπ‘›π‘‘π‘–π‘›π‘’π‘’ π‘‘π‘œ π‘’π‘£π‘œπ‘™π‘£π‘’ π‘Žπ‘  π‘Ž π‘€π‘Ÿπ‘–π‘‘π‘’π‘Ÿ, π‘’π‘šπ‘π‘Ÿπ‘Žπ‘π‘–π‘›π‘” 𝑛𝑒𝑀 π‘–π‘‘π‘’π‘Žπ‘  π‘Žπ‘›π‘‘ π‘π‘’π‘Ÿπ‘ π‘π‘’π‘π‘‘π‘–π‘£π‘’π‘  𝑀𝒽𝑖𝑙𝑒 π‘ π‘‘π‘Žπ‘¦π‘–π‘›π‘” π‘‘π‘Ÿπ‘’π‘’ π‘‘π‘œ 𝒽𝑖𝑠 π‘œπ‘€π‘› π‘π‘Ÿπ‘’π‘Žπ‘‘π‘–π‘£π‘’ π‘£π‘–π‘ π‘–π‘œπ‘›. 𝐴𝑛𝑑 π‘ π‘œ, 𝒽𝑒 π‘ π‘œπ‘’π‘”π’½π‘‘ π‘œπ‘’π‘‘ 𝑑𝒽𝑒 π‘”π‘’π‘–π‘‘π‘Žπ‘›π‘π‘’ π‘Žπ‘›π‘‘ π‘šπ‘’π‘›π‘‘π‘œπ‘Ÿπ‘ π’½π‘–π‘ π‘œπ‘“ π‘‘π’½π‘œπ‘ π‘’ π‘€π’½π‘œ π’½π‘Žπ‘‘ π‘”π‘œπ‘›π‘’ π‘π‘’π‘“π‘œπ‘Ÿπ‘’ π’½π‘–π‘š, π‘™π‘’π‘Žπ‘Ÿπ‘›π‘–π‘›π‘” π‘“π‘Ÿπ‘œπ‘š π‘‘π’½π‘’π‘–π‘Ÿ π‘€π‘–π‘ π‘‘π‘œπ‘š π‘Žπ‘›π‘‘ 𝑒π‘₯π‘π‘’π‘Ÿπ‘–π‘’π‘›π‘π‘’ 𝑖𝑛 π‘œπ‘Ÿπ‘‘π‘’π‘Ÿ π‘‘π‘œ π‘”π‘Ÿπ‘œπ‘€ π‘Žπ‘  π‘Žπ‘› π‘Žπ‘Ÿπ‘‘π‘–π‘ π‘‘.π‘‡π’½π‘Ÿπ‘œπ‘’π‘”π’½ 𝒽𝑖𝑠 π‘‘π‘’π‘‘π‘–π‘π‘Žπ‘‘π‘–π‘œπ‘› π‘‘π‘œ 𝒽𝑖𝑠 π‘π‘Ÿπ‘Žπ‘“π‘‘ π‘Žπ‘›π‘‘ 𝒽𝑖𝑠 π‘’π‘›π‘€π‘Žπ‘£π‘’π‘Ÿπ‘–π‘›π‘” π‘π‘œπ‘šπ‘šπ‘–π‘‘π‘šπ‘’π‘›π‘‘ π‘‘π‘œ 𝑠𝑒𝑙𝑓-π‘–π‘šπ‘π‘Ÿπ‘œπ‘£π‘’π‘šπ‘’π‘›π‘‘, π‘†π‘π‘Žπ‘Ÿπ‘ π’½ π‘π‘’π‘”π‘Žπ‘› π‘‘π‘œ π‘šπ‘Žπ‘˜π‘’ 𝒽𝑖𝑠 π‘šπ‘Žπ‘Ÿπ‘˜ π‘œπ‘› 𝑑𝒽𝑒 π‘™π‘–π‘‘π‘’π‘Ÿπ‘Žπ‘Ÿπ‘¦ π‘€π‘œπ‘Ÿπ‘™π‘‘. 𝐻𝑖𝑠 π‘€π‘œπ‘Ÿπ‘˜ π‘”π‘Žπ‘Ÿπ‘›π‘’π‘Ÿπ‘’π‘‘ π‘π‘Ÿπ‘Žπ‘–π‘ π‘’ π‘“π‘Ÿπ‘œπ‘š π‘π‘Ÿπ‘–π‘‘π‘–π‘π‘  π‘Žπ‘›π‘‘ π‘π‘’π‘’π‘Ÿπ‘  π‘Žπ‘™π‘–π‘˜π‘’, π‘’π‘Žπ‘Ÿπ‘›π‘–π‘›π‘” π’½π‘–π‘š π‘Ž π‘π‘™π‘Žπ‘π‘’ π‘Žπ‘šπ‘œπ‘›π‘” 𝑑𝒽𝑒 π‘Ÿπ‘Žπ‘›π‘˜π‘  π‘œπ‘“ 𝑑𝒽𝑒 π‘šπ‘œπ‘ π‘‘ π‘‘π‘Žπ‘™π‘’π‘›π‘‘π‘’π‘‘ π‘Žπ‘›π‘‘ π‘Ÿπ‘’π‘ π‘π‘’π‘π‘‘π‘’π‘‘ π‘€π‘Ÿπ‘–π‘‘π‘’π‘Ÿπ‘  π‘œπ‘“ 𝒽𝑖𝑠 π‘‘π‘–π‘šπ‘’. 𝐴𝑛𝑑 𝑀𝑖𝑑𝒽 π‘’π‘Žπ‘π’½ 𝑛𝑒𝑀 𝑠𝑒𝑐𝑐𝑒𝑠𝑠, 𝒽𝑖𝑠 π‘π‘Žπ‘ π‘ π‘–π‘œπ‘› π‘“π‘œπ‘Ÿ π‘ π‘‘π‘œπ‘Ÿπ‘¦π‘‘π‘’π‘™π‘™π‘–π‘›π‘” π‘œπ‘›π‘™π‘¦ π‘”π‘Ÿπ‘’π‘€ π‘ π‘‘π‘Ÿπ‘œπ‘›π‘”π‘’π‘Ÿ, π‘‘π‘Ÿπ‘–π‘£π‘–π‘›π‘” π’½π‘–π‘š π‘‘π‘œ 𝑒π‘₯π‘π‘™π‘œπ‘Ÿπ‘’ 𝑛𝑒𝑀 π’½π‘œπ‘Ÿπ‘–π‘§π‘œπ‘›π‘  π‘Žπ‘›π‘‘ π‘π‘Ÿπ‘’π‘Žπ‘‘π‘’ 𝑒𝑣𝑒𝑛 π‘šπ‘œπ‘Ÿπ‘’ π‘π‘Žπ‘π‘‘π‘–π‘£π‘Žπ‘‘π‘–π‘›π‘” π‘›π‘Žπ‘Ÿπ‘Ÿπ‘Žπ‘‘π‘–π‘£π‘’π‘ .𝐼𝑛 𝑑𝒽𝑒 𝑒𝑛𝑑, 𝑺𝒑𝒂𝒓𝒔𝒉 π‘²π’π’•π’‰π’‚π’“π’Š'𝒔 π‘—π‘œπ‘’π‘Ÿπ‘›π‘’π‘¦ π‘Žπ‘  π‘Ž π‘€π‘Ÿπ‘–π‘‘π‘’π‘Ÿ π‘€π‘Žπ‘  π‘›π‘œπ‘‘ π‘šπ‘’π‘Ÿπ‘’π‘™π‘¦ π‘Žπ‘π‘œπ‘’π‘‘ π‘π‘Ÿπ‘Žπ‘“π‘‘π‘–π‘›π‘” π‘ π‘‘π‘œπ‘Ÿπ‘–π‘’π‘  π‘Žπ‘›π‘‘ π‘π‘Ÿπ‘’π‘Žπ‘‘π‘–π‘›π‘” π‘€π‘œπ‘Ÿπ‘™π‘‘π‘ ; 𝑖𝑑 π‘€π‘Žπ‘  π‘Žπ‘π‘œπ‘’π‘‘ π‘‘π‘œπ‘’π‘π’½π‘–π‘›π‘” 𝑑𝒽𝑒 𝑙𝑖𝑣𝑒𝑠 π‘œπ‘“ π‘‘π’½π‘œπ‘ π‘’ π‘€π’½π‘œ π‘’π‘›π‘π‘œπ‘’π‘›π‘‘π‘’π‘Ÿπ‘’π‘‘ 𝒽𝑖𝑠 π‘€π‘œπ‘Ÿπ‘˜, π‘ π‘π‘Žπ‘Ÿπ‘˜π‘–π‘›π‘” π‘‘π’½π‘’π‘–π‘Ÿ π‘–π‘šπ‘Žπ‘”π‘–π‘›π‘Žπ‘‘π‘–π‘œπ‘›π‘  π‘Žπ‘›π‘‘ π‘–π‘›π‘ π‘π‘–π‘Ÿπ‘–π‘›π‘” π‘‘π’½π‘’π‘š π‘‘π‘œ π‘’π‘šπ‘π‘Žπ‘Ÿπ‘˜ π‘œπ‘› π‘‘π’½π‘’π‘–π‘Ÿ π‘œπ‘€π‘› π‘—π‘œπ‘’π‘Ÿπ‘›π‘’π‘¦π‘  π‘œπ‘“ 𝑠𝑒𝑙𝑓-π‘‘π‘–π‘ π‘π‘œπ‘£π‘’π‘Ÿπ‘¦. 𝐴𝑛𝑑 π‘Žπ‘  𝒽𝑒 π‘π‘œπ‘›π‘‘π‘–π‘›π‘’π‘’π‘‘ π‘‘π‘œ π‘€π‘’π‘Žπ‘£π‘’ 𝒽𝑖𝑠 π‘™π‘–π‘‘π‘’π‘Ÿπ‘Žπ‘Ÿπ‘¦ π‘‘π‘Žπ‘π‘’π‘ π‘‘π‘Ÿπ‘¦, π‘†π‘π‘Žπ‘Ÿπ‘ π’½ π‘˜π‘›π‘’π‘€ π‘‘π’½π‘Žπ‘‘ 𝒽𝑒 π‘€π‘Žπ‘  π‘›π‘œπ‘‘ π‘Žπ‘™π‘œπ‘›π‘’ – π‘“π‘œπ‘Ÿ 𝑖𝑛 𝑑𝒽𝑒 π’½π‘’π‘Žπ‘Ÿπ‘‘π‘  π‘Žπ‘›π‘‘ π‘šπ‘–π‘›π‘‘π‘  π‘œπ‘“ 𝒽𝑖𝑠 π‘Ÿπ‘’π‘Žπ‘‘π‘’π‘Ÿπ‘ , 𝒽𝑖𝑠 π‘ π‘‘π‘œπ‘Ÿπ‘–π‘’π‘  π‘€π‘œπ‘’π‘™π‘‘ 𝑙𝑖𝑣𝑒 π‘œπ‘›, 𝑠𝒽𝑖𝑛𝑖𝑛𝑔 π‘™π‘–π‘˜π‘’ π‘ π‘‘π‘Žπ‘Ÿπ‘  𝑖𝑛 𝑑𝒽𝑒 π‘£π‘Žπ‘ π‘‘ 𝑒π‘₯π‘π‘Žπ‘›π‘ π‘’ π‘œπ‘“ 𝑑𝒽𝑒 π‘™π‘–π‘‘π‘’π‘Ÿπ‘Žπ‘Ÿπ‘¦ π‘’π‘›π‘–π‘£π‘’π‘Ÿπ‘ π‘’.”
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β€œπΌπ‘› π‘Ž π‘€π‘œπ‘Ÿπ‘™π‘‘ π‘€π’½π‘’π‘Ÿπ‘’ π‘ π‘‘π‘œπ‘Ÿπ‘–π‘’π‘  π‘“π‘œπ‘Ÿπ‘š 𝑑𝒽𝑒 π‘Ÿπ’½π‘¦π‘‘π’½π‘š π‘œπ‘“ 𝑙𝑖𝑓𝑒, π‘Ž π‘¦π‘œπ‘’π‘›π‘” π‘šπ‘Žπ‘’π‘ π‘‘π‘Ÿπ‘œ π‘›π‘Žπ‘šπ‘’π‘‘ 𝑺𝒑𝒂𝒓𝒔𝒉 π‘²π’π’•π’‰π’‚π’“π’Š 𝑠𝑑𝑒𝑝𝑠 π‘œπ‘›π‘‘π‘œ 𝑑𝒽𝑒 π‘ π‘‘π‘Žπ‘”π‘’, π‘Ÿπ‘’π‘Žπ‘‘π‘¦ π‘‘π‘œ π‘π‘œπ‘›π‘‘π‘’π‘π‘‘ π‘Ž π‘ π‘¦π‘šπ‘π’½π‘œπ‘›π‘¦ π‘œπ‘“ π‘€π‘œπ‘Ÿπ‘‘π‘  π‘Žπ‘›π‘‘ π‘’π‘šπ‘œπ‘‘π‘–π‘œπ‘›π‘ . π‘Šπ‘–π‘‘π’½ π‘Žπ‘› 𝑒𝑛𝑦𝑖𝑒𝑙𝑑𝑖𝑛𝑔 π‘π‘Žπ‘ π‘ π‘–π‘œπ‘› π‘“π‘œπ‘Ÿ π‘ π‘‘π‘œπ‘Ÿπ‘¦π‘‘π‘’π‘™π‘™π‘–π‘›π‘”, π‘†π‘π‘Žπ‘Ÿπ‘ π’½ π‘€π‘’π‘Žπ‘£π‘’π‘  π‘Ž π‘Ÿπ‘–π‘π’½ π‘Žπ‘›π‘‘ π‘–π‘›π‘‘π‘Ÿπ‘–π‘π‘Žπ‘‘π‘’ π‘‘π‘Žπ‘π‘’π‘ π‘‘π‘Ÿπ‘¦ π‘œπ‘“ π‘›π‘Žπ‘Ÿπ‘Ÿπ‘Žπ‘‘π‘–π‘£π‘’π‘  π‘‘π’½π‘Žπ‘‘ π‘π‘Žπ‘π‘‘π‘’π‘Ÿπ‘’ 𝑑𝒽𝑒 𝑒𝑠𝑠𝑒𝑛𝑐𝑒 π‘œπ‘“ 𝑑𝒽𝑒 π’½π‘’π‘šπ‘Žπ‘› 𝑒π‘₯π‘π‘’π‘Ÿπ‘–π‘’π‘›π‘π‘’. 𝐴𝑠 𝒽𝑒 π‘Ÿπ‘Žπ‘–π‘ π‘’π‘  𝒽𝑖𝑠 π‘π‘Žπ‘‘π‘œπ‘›, 𝑑𝒽𝑒 π‘šπ‘’π‘ π‘–π‘ π‘œπ‘“ 𝒽𝑖𝑠 π‘™π‘–π‘‘π‘’π‘Ÿπ‘Žπ‘Ÿπ‘¦ π‘€π‘œπ‘Ÿπ‘˜ 𝑓𝑖𝑙𝑙𝑠 𝑑𝒽𝑒 π‘Žπ‘–π‘Ÿ, π‘Ÿπ‘’π‘ π‘œπ‘›π‘Žπ‘‘π‘–π‘›π‘” 𝑀𝑖𝑑𝒽 π‘Ÿπ‘’π‘Žπ‘‘π‘’π‘Ÿπ‘  π‘Žπ‘›π‘‘ π‘‘π‘Ÿπ‘Žπ‘›π‘ π‘π‘œπ‘Ÿπ‘‘π‘–π‘›π‘” π‘‘π’½π‘’π‘š π‘‘π‘œ π‘Ž π‘Ÿπ‘’π‘Žπ‘™π‘š π‘œπ‘“ π‘π‘œπ‘’π‘›π‘‘π‘™π‘’π‘ π‘  π‘π‘Ÿπ‘’π‘Žπ‘‘π‘–π‘£π‘–π‘‘π‘¦.
𝑇𝒽𝑒 π‘π‘œπ‘šπ‘π‘œπ‘ π‘–π‘‘π‘–π‘œπ‘› 𝑏𝑒𝑔𝑖𝑛𝑠 𝑀𝑖𝑑𝒽 𝑑𝒽𝑒 π‘‘π‘’π‘™π‘–π‘π‘Žπ‘‘π‘’ π‘›π‘œπ‘‘π‘’π‘  π‘œπ‘“ 𝑅𝑒́, π‘Ž π½π‘œπ‘’π‘Ÿπ‘›π‘’π‘¦, π‘Žπ‘› 𝑒𝑝𝑖𝑐 π‘›π‘œπ‘£π‘’π‘™ π‘‘π’½π‘Žπ‘‘ π‘ π‘’π‘Ÿπ‘£π‘’π‘  π‘Žπ‘  𝑑𝒽𝑒 π‘π‘œπ‘Ÿπ‘›π‘’π‘Ÿπ‘ π‘‘π‘œπ‘›π‘’ π‘œπ‘“ π‘†π‘π‘Žπ‘Ÿπ‘ π’½'𝑠 π‘™π‘–π‘‘π‘’π‘Ÿπ‘Žπ‘Ÿπ‘¦ π‘œπ‘π‘’π‘ . πΈπ‘Žπ‘π’½ π‘€π‘œπ‘Ÿπ‘‘ π‘π‘Ÿπ‘Žπ‘“π‘‘π‘’π‘‘ 𝑏𝑦 𝒽𝑖𝑠 π‘ π‘˜π‘–π‘™π‘™π‘’π‘‘ π’½π‘Žπ‘›π‘‘ 𝑖𝑠 π‘™π‘–π‘˜π‘’ π‘Ž π‘‘π‘Ÿπ‘œπ‘ π‘œπ‘“ π‘–π‘›π‘˜ π‘œπ‘› π‘Ž π‘π‘™π‘Žπ‘›π‘˜ π‘π‘Žπ‘›π‘£π‘Žπ‘ , π‘π‘Žπ‘–π‘›π‘‘π‘–π‘›π‘” π‘Ž 𝑣𝑖𝑣𝑖𝑑 π‘π‘œπ‘Ÿπ‘‘π‘Ÿπ‘Žπ‘–π‘‘ π‘œπ‘“ π‘™π‘œπ‘£π‘’, π‘™π‘œπ‘ π‘ , π’½π‘œπ‘π‘’, π‘Žπ‘›π‘‘ π‘“π‘Žπ‘–π‘‘π’½. 𝑇𝒽𝑒 π‘π’½π‘Žπ‘Ÿπ‘Žπ‘π‘‘π‘’π‘Ÿπ‘  π‘œπ‘“ 𝑀𝑖𝑛𝑧𝒽𝑒́ π‘Žπ‘›π‘‘ π‘€π‘Žπ‘‘π‘’π‘Ÿπ‘–π‘‘π‘’Μ π‘‘π‘Žπ‘›π‘π‘’ π‘Žπ‘π‘Ÿπ‘œπ‘ π‘  𝑑𝒽𝑒 π‘π‘Žπ‘”π‘’π‘ , π‘‘π’½π‘’π‘–π‘Ÿ 𝑠𝑑𝑒𝑝𝑠 π‘”π‘Ÿπ‘Žπ‘π‘’π‘“π‘’π‘™π‘™π‘¦ 𝑔𝑒𝑖𝑑𝑒𝑑 𝑏𝑦 𝑑𝒽𝑒 π‘šπ‘Žπ‘ π‘‘π‘’π‘Ÿπ‘“π‘’π‘™ π‘π‘Ÿπ‘œπ‘ π‘’ π‘‘π’½π‘Žπ‘‘ π‘π‘Ÿπ‘–π‘›π‘”π‘  π‘‘π’½π‘’π‘š π‘‘π‘œ 𝑙𝑖𝑓𝑒. 𝐴𝑠 π‘‘π’½π‘’π‘–π‘Ÿ π‘ π‘‘π‘œπ‘Ÿπ‘¦ π‘’π‘›π‘“π‘œπ‘™π‘‘π‘ , 𝑑𝒽𝑒 π‘šπ‘’π‘™π‘œπ‘‘π‘¦ π‘œπ‘“ π‘†π‘π‘Žπ‘Ÿπ‘ π’½'𝑠 π‘›π‘Žπ‘Ÿπ‘Ÿπ‘Žπ‘‘π‘–π‘£π‘’ 𝑠𝑀𝑒𝑙𝑙𝑠, 𝑓𝑖𝑙𝑙𝑖𝑛𝑔 𝑑𝒽𝑒 π’½π‘’π‘Žπ‘Ÿπ‘‘π‘  π‘œπ‘“ 𝒽𝑖𝑠 π‘Ÿπ‘’π‘Žπ‘‘π‘’π‘Ÿπ‘  𝑀𝑖𝑑𝒽 π‘Ž 𝑑𝑒𝑒𝑝 𝑠𝑒𝑛𝑠𝑒 π‘œπ‘“ π‘π‘œπ‘›π‘›π‘’π‘π‘‘π‘–π‘œπ‘› π‘Žπ‘›π‘‘ π‘’π‘›π‘‘π‘’π‘Ÿπ‘ π‘‘π‘Žπ‘›π‘‘π‘–π‘›π‘”.𝐴𝑠 𝑑𝒽𝑒 π‘ π‘¦π‘šπ‘π’½π‘œπ‘›π‘¦ π‘π‘Ÿπ‘œπ‘”π‘Ÿπ‘’π‘ π‘ π‘’π‘ , π‘†π‘π‘Žπ‘Ÿπ‘ π’½'𝑠 π‘π‘Ÿπ‘’π‘Žπ‘‘π‘–π‘£π‘–π‘‘π‘¦ π‘˜π‘›π‘œπ‘€π‘  π‘›π‘œ π‘π‘œπ‘’π‘›π‘‘π‘ . 𝐻𝑒 π‘ π‘’π‘Žπ‘šπ‘™π‘’π‘ π‘ π‘™π‘¦ 𝑏𝑙𝑒𝑛𝑑𝑠 π‘’π‘™π‘’π‘šπ‘’π‘›π‘‘π‘  π‘œπ‘“ π’½π‘–π‘ π‘‘π‘œπ‘Ÿπ‘¦, π‘π’½π‘–π‘™π‘œπ‘ π‘œπ‘π’½π‘¦, π‘Žπ‘›π‘‘ π‘π‘œπ‘›π‘‘π‘’π‘šπ‘π‘œπ‘Ÿπ‘Žπ‘Ÿπ‘¦ 𝑖𝑠𝑠𝑒𝑒𝑠 π‘–π‘›π‘‘π‘œ 𝒽𝑖𝑠 π‘›π‘Žπ‘Ÿπ‘Ÿπ‘Žπ‘‘π‘–π‘£π‘’π‘ , π‘π‘Ÿπ‘’π‘Žπ‘‘π‘–π‘›π‘” π‘Ž π’½π‘Žπ‘Ÿπ‘šπ‘œπ‘›π‘–π‘œπ‘’π‘  π‘“π‘’π‘ π‘–π‘œπ‘› π‘œπ‘“ π‘–π‘‘π‘’π‘Žπ‘  π‘‘π’½π‘Žπ‘‘ π‘Ÿπ‘’π‘ π‘œπ‘›π‘Žπ‘‘π‘’π‘  𝑀𝑖𝑑𝒽 π‘Ÿπ‘’π‘Žπ‘‘π‘’π‘Ÿπ‘  π‘“π‘Ÿπ‘œπ‘š π‘Žπ‘™π‘™ π‘€π‘Žπ‘™π‘˜π‘  π‘œπ‘“ 𝑙𝑖𝑓𝑒. 𝐻𝑖𝑠 π‘ π‘‘π‘œπ‘Ÿπ‘–π‘’π‘  π‘‘π‘œπ‘’π‘π’½ π‘’π‘π‘œπ‘› 𝑑𝒽𝑒 π‘π‘œπ‘Ÿπ‘’ π‘œπ‘“ 𝑑𝒽𝑒 π’½π‘’π‘šπ‘Žπ‘› 𝑒π‘₯π‘π‘’π‘Ÿπ‘–π‘’π‘›π‘π‘’, 𝑖𝑛𝑣𝑖𝑑𝑖𝑛𝑔 𝒽𝑖𝑠 π‘Žπ‘’π‘‘π‘–π‘’π‘›π‘π‘’ π‘‘π‘œ π‘Ÿπ‘’π‘“π‘™π‘’π‘π‘‘ π‘œπ‘› π‘‘π’½π‘’π‘–π‘Ÿ π‘œπ‘€π‘› 𝑙𝑖𝑣𝑒𝑠 π‘Žπ‘›π‘‘ π‘’π‘šπ‘π‘Žπ‘Ÿπ‘˜ π‘œπ‘› π‘‘π’½π‘’π‘–π‘Ÿ π‘œπ‘€π‘› π‘—π‘œπ‘’π‘Ÿπ‘›π‘’π‘¦π‘  π‘œπ‘“ 𝑠𝑒𝑙𝑓-π‘‘π‘–π‘ π‘π‘œπ‘£π‘’π‘Ÿπ‘¦.π‘Œπ‘’π‘‘, π‘™π‘–π‘˜π‘’ π‘Žπ‘›π‘¦ π‘”π‘Ÿπ‘’π‘Žπ‘‘ π‘π‘œπ‘šπ‘π‘œπ‘ π‘’π‘Ÿ, π‘†π‘π‘Žπ‘Ÿπ‘ π’½ 𝑖𝑠 π‘›π‘œπ‘‘ π‘π‘œπ‘›π‘‘π‘’π‘›π‘‘ π‘‘π‘œ π‘Ÿπ‘’π‘ π‘‘ π‘œπ‘› 𝒽𝑖𝑠 π‘™π‘Žπ‘’π‘Ÿπ‘’π‘™π‘ . 𝐻𝑒 π‘π‘œπ‘›π‘ π‘‘π‘Žπ‘›π‘‘π‘™π‘¦ π‘ π‘’π‘’π‘˜π‘  π‘‘π‘œ 𝑝𝑒𝑠𝒽 𝑑𝒽𝑒 π‘π‘œπ‘’π‘›π‘‘π‘Žπ‘Ÿπ‘–π‘’π‘  π‘œπ‘“ 𝒽𝑖𝑠 π‘π‘Ÿπ‘Žπ‘“π‘‘, 𝑒π‘₯π‘π‘’π‘Ÿπ‘–π‘šπ‘’π‘›π‘‘π‘–π‘›π‘” 𝑀𝑖𝑑𝒽 𝑛𝑒𝑀 π‘“π‘œπ‘Ÿπ‘šπ‘  π‘Žπ‘›π‘‘ 𝑠𝑑𝑦𝑙𝑒𝑠 π‘‘π‘œ π‘π‘Ÿπ‘’π‘Žπ‘‘π‘’ π‘Žπ‘› π‘’π‘£π‘’π‘Ÿ-π‘’π‘£π‘œπ‘™π‘£π‘–π‘›π‘” π‘™π‘–π‘‘π‘’π‘Ÿπ‘Žπ‘Ÿπ‘¦ π‘™π‘Žπ‘›π‘‘π‘ π‘π‘Žπ‘π‘’. π‘Šπ‘–π‘‘π’½ π‘’π‘Žπ‘π’½ 𝑛𝑒𝑀 π‘π‘Ÿπ‘œπ‘—π‘’π‘π‘‘, 𝒽𝑖𝑠 π‘‘π‘’π‘‘π‘–π‘π‘Žπ‘‘π‘–π‘œπ‘› π‘‘π‘œ 𝒽𝑖𝑠 π‘Žπ‘Ÿπ‘‘ π‘”π‘Ÿπ‘œπ‘€π‘  π‘ π‘‘π‘Ÿπ‘œπ‘›π‘”π‘’π‘Ÿ, 𝑓𝑒𝑒𝑙𝑒𝑑 𝑏𝑦 π‘Ž π‘π‘’π‘Ÿπ‘›π‘–π‘›π‘” π‘π‘Žπ‘ π‘ π‘–π‘œπ‘› π‘“π‘œπ‘Ÿ 𝑑𝒽𝑒 π‘€π‘Ÿπ‘–π‘‘π‘‘π‘’π‘› π‘€π‘œπ‘Ÿπ‘‘ π‘Žπ‘›π‘‘ 𝑑𝒽𝑒 π‘’π‘›π‘ π’½π‘Žπ‘˜π‘’π‘Žπ‘π‘™π‘’ 𝑏𝑒𝑙𝑖𝑒𝑓 𝑖𝑛 𝑑𝒽𝑒 π‘π‘œπ‘€π‘’π‘Ÿ π‘œπ‘“ π‘ π‘‘π‘œπ‘Ÿπ‘¦π‘‘π‘’π‘™π‘™π‘–π‘›π‘”.π΄π‘šπ‘–π‘‘π‘ π‘‘ 𝑑𝒽𝑒 π‘π‘Ÿπ‘’π‘ π‘π‘’π‘›π‘‘π‘œ π‘œπ‘“ π‘Žπ‘π‘π‘œπ‘™π‘Žπ‘‘π‘’π‘  π‘Žπ‘›π‘‘ π‘π‘Ÿπ‘Žπ‘–π‘ π‘’ π‘‘π’½π‘Žπ‘‘ π‘“π‘œπ‘™π‘™π‘œπ‘€π‘  𝒽𝑖𝑠 π‘€π‘œπ‘Ÿπ‘˜, π‘†π‘π‘Žπ‘Ÿπ‘ π’½ π‘Ÿπ‘’π‘šπ‘Žπ‘–π‘›π‘  π‘”π‘Ÿπ‘œπ‘’π‘›π‘‘π‘’π‘‘ π‘Žπ‘›π‘‘ π’½π‘’π‘šπ‘π‘™π‘’. 𝐻𝑒 π‘’π‘›π‘‘π‘’π‘Ÿπ‘ π‘‘π‘Žπ‘›π‘‘π‘  π‘‘π’½π‘Žπ‘‘ 𝑑𝒽𝑒 π‘‘π‘Ÿπ‘’π‘’ π‘π‘’π‘Žπ‘’π‘‘π‘¦ π‘œπ‘“ 𝒽𝑖𝑠 π‘ π‘¦π‘šπ‘π’½π‘œπ‘›π‘¦ 𝑙𝑖𝑒𝑠 π‘›π‘œπ‘‘ 𝑖𝑛 𝑑𝒽𝑒 π‘Žπ‘π‘π‘œπ‘™π‘Žπ‘‘π‘’π‘  𝑖𝑑 π‘”π‘Žπ‘Ÿπ‘›π‘’π‘Ÿπ‘ , 𝑏𝑒𝑑 𝑖𝑛 𝑑𝒽𝑒 𝑙𝑖𝑣𝑒𝑠 𝑖𝑑 π‘‘π‘œπ‘’π‘π’½π‘’π‘  π‘Žπ‘›π‘‘ 𝑑𝒽𝑒 π‘‘π‘Ÿπ‘’π‘Žπ‘šπ‘  𝑖𝑑 π‘–π‘›π‘ π‘π‘–π‘Ÿπ‘’π‘ . π‘Šπ‘–π‘‘π’½ π‘’π‘Žπ‘π’½ π‘ π‘‘π‘œπ‘Ÿπ‘¦ 𝒽𝑒 π‘€π‘Ÿπ‘–π‘‘π‘’π‘ , 𝒽𝑒 π’½π‘œπ‘π‘’π‘  π‘‘π‘œ 𝑖𝑔𝑛𝑖𝑑𝑒 𝑑𝒽𝑒 π‘“π‘™π‘Žπ‘šπ‘’ π‘œπ‘“ π‘π‘Ÿπ‘’π‘Žπ‘‘π‘–π‘£π‘–π‘‘π‘¦ 𝑀𝑖𝑑𝒽𝑖𝑛 𝒽𝑖𝑠 π‘Ÿπ‘’π‘Žπ‘‘π‘’π‘Ÿπ‘ , 𝑖𝑛𝑣𝑖𝑑𝑖𝑛𝑔 π‘‘π’½π‘’π‘š π‘‘π‘œ π‘—π‘œπ‘–π‘› π’½π‘–π‘š 𝑖𝑛 π‘π‘Ÿπ‘Žπ‘“π‘‘π‘–π‘›π‘” π‘‘π’½π‘’π‘–π‘Ÿ π‘œπ‘€π‘› π‘ π‘¦π‘šπ‘π’½π‘œπ‘›π‘–π‘’π‘  π‘œπ‘“ π‘€π‘œπ‘Ÿπ‘‘π‘  π‘Žπ‘›π‘‘ π‘’π‘šπ‘œπ‘‘π‘–π‘œπ‘›π‘ .𝐴𝑠 𝑑𝒽𝑒 π‘“π‘–π‘›π‘Žπ‘™ π‘›π‘œπ‘‘π‘’π‘  π‘œπ‘“ 𝑺𝒑𝒂𝒓𝒔𝒉 π‘²π’π’•π’‰π’‚π’“π’Š'𝒔 π‘™π‘–π‘‘π‘’π‘Ÿπ‘Žπ‘Ÿπ‘¦ π‘ π‘¦π‘šπ‘π’½π‘œπ‘›π‘¦ π‘“π‘Žπ‘‘π‘’ π‘–π‘›π‘‘π‘œ 𝑑𝒽𝑒 π‘’π‘‘π’½π‘’π‘Ÿ, π‘Ž 𝑠𝑒𝑛𝑠𝑒 π‘œπ‘“ π‘Žπ‘€π‘’ π‘Žπ‘›π‘‘ π‘€π‘œπ‘›π‘‘π‘’π‘Ÿ π‘™π‘–π‘›π‘”π‘’π‘Ÿπ‘  𝑖𝑛 𝑑𝒽𝑒 π‘Žπ‘–π‘Ÿ. πΉπ‘œπ‘Ÿ π‘‘π’½π‘œπ‘ π‘’ π‘€π’½π‘œ π’½π‘Žπ‘£π‘’ π’½π‘Žπ‘‘ 𝑑𝒽𝑒 π‘π‘Ÿπ‘–π‘£π‘–π‘™π‘’π‘”π‘’ π‘œπ‘“ 𝑒π‘₯π‘π‘’π‘Ÿπ‘–π‘’π‘›π‘π‘–π‘›π‘” 𝒽𝑖𝑠 π‘€π‘œπ‘Ÿπ‘˜, 𝑑𝒽𝑒 π‘π‘œπ‘€π‘’π‘Ÿ π‘œπ‘“ 𝒽𝑖𝑠 π‘ π‘‘π‘œπ‘Ÿπ‘¦π‘‘π‘’π‘™π‘™π‘–π‘›π‘” 𝑀𝑖𝑙𝑙 π‘π‘œπ‘›π‘‘π‘–π‘›π‘’π‘’ π‘‘π‘œ π‘’π‘π’½π‘œ π‘‘π’½π‘Ÿπ‘œπ‘’π‘”π’½ π‘‘π’½π‘’π‘–π‘Ÿ π’½π‘’π‘Žπ‘Ÿπ‘‘π‘  π‘Žπ‘›π‘‘ π‘šπ‘–π‘›π‘‘π‘ , π‘Ž π‘‘π‘’π‘ π‘‘π‘Žπ‘šπ‘’π‘›π‘‘ π‘‘π‘œ 𝑑𝒽𝑒 π‘‘π‘Ÿπ‘Žπ‘›π‘ π‘“π‘œπ‘Ÿπ‘šπ‘Žπ‘‘π‘–π‘£π‘’ π‘π‘œπ‘€π‘’π‘Ÿ π‘œπ‘“ 𝑑𝒽𝑒 π‘€π‘Ÿπ‘–π‘‘π‘‘π‘’π‘› π‘€π‘œπ‘Ÿπ‘‘. 𝐴𝑛𝑑 π‘Žπ‘  𝑑𝒽𝑒 π‘šπ‘Žπ‘’π‘ π‘‘π‘Ÿπ‘œ 𝑠𝑑𝑒𝑝𝑠 π‘π‘Žπ‘π‘˜ π‘“π‘Ÿπ‘œπ‘š 𝑑𝒽𝑒 π‘ π‘‘π‘Žπ‘”π‘’, 𝒽𝑖𝑠 π‘π‘Žπ‘‘π‘œπ‘› π‘Ÿπ‘Žπ‘–π‘ π‘’π‘‘ 𝑖𝑛 π‘‘π‘Ÿπ‘–π‘’π‘šπ‘π’½, 𝒽𝑒 π‘˜π‘›π‘œπ‘€π‘  π‘‘π’½π‘Žπ‘‘ 𝒽𝑖𝑠 π‘ π‘¦π‘šπ‘π’½π‘œπ‘›π‘¦ π’½π‘Žπ‘  π‘œπ‘›π‘™π‘¦ 𝑗𝑒𝑠𝑑 𝑏𝑒𝑔𝑒𝑛 – π‘Žπ‘›π‘‘ π‘‘π’½π‘Žπ‘‘ 𝑑𝒽𝑒 π‘€π‘œπ‘Ÿπ‘™π‘‘ π‘œπ‘“ π‘ π‘‘π‘œπ‘Ÿπ‘–π‘’π‘  𝑖𝑠 π‘Ÿπ‘–π‘π’½π‘’π‘Ÿ π‘“π‘œπ‘Ÿ 𝒽𝑖𝑠 π‘π‘Ÿπ‘’π‘ π‘’π‘›π‘π‘’.”
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